rbx6jm造句

• Changes included a modified body shape with more " modern " lines and carvings, finishes in either " Inca Silver " or " Plum Purple " in flat as opposed to glossy paint, slightly tighter string-spacing, a maple neck / rosewood fretboard with " Yin-Yang " inlay at the 12th fret, 34 " scale as opposed to the 35 " scale that the RBX6JM had, and most importantly a single Seymour Duncan Music Man-type humbucking pickup, influenced by Myung's use of the StingRay on " Six Degrees of Inner Turbulence ".
• Changes included a modified body shape with more " modern " lines and carvings, finishes in either " Inca Silver " or " Plum Purple " in flat as opposed to glossy paint, slightly tighter string-spacing, a maple neck / rosewood fretboard with " Yin-Yang " inlay at the 12th fret, 34-inch scale as opposed to the 35-inch scale that the RBX6JM had, and most importantly a single Music Man-style Seymour Duncan SMB6A humbucking pickup, by all accounts an influence from his usage of a Stingray to record a good portion of Dream Theater's " Six Degrees of Inner Turbulence ".
• A bolt-on bass with alder body and flame-maple top available in either " Ruby Red " or " Turquoise Blue " with a maple neck, ebony fretboard, gold hardware, 35 " scale, and " Infinity " dot inlay on the fretboard, various Red and Blue " RBX6JM " models were his main studio and live instruments along with his TRB6 six-string fretless from 1997 98's Touring Into Infinity, 1998's " Once In A LIVEtime " double-disc live CD and " 5 Years In A LIVEtime " video, 1999's " Metropolis Pt . 2 : Scenes from a Memory ", following tour and 2001's " Metropolis 2000 : Scenes From New York"