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文学批评家的英文

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"文学批评家"怎么读用"文学批评家"造句

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  • literary critics
  • the literary critic

例句与用法

  • The literary critics should be as objective as possible in analysis and judgement
    文学批评家在分析和评价时应尽量不偏不倚。
  • The literary critics should be as objective as possible in analysis and judgment
    文学批评家在分析和评价时应该尽量不偏不倚。
  • " you worship at the shrine of the established , " he told her once , in a discussion they had over praps and vanderwater . " i grant that as authorities to quote they are most excellent - the two foremost literary critics in the united states
    有一次两人讨论普拉卜斯和万德瓦特时,他告诉她, “我承认他们是出人头他的权威,他们的话受到引用是美国两个最前列的文学批评家
  • With the application of northrop frye ' s theory of archetype , this paper attempts to analyze the various characters in uncle tom ' s cabin , such as uncle tom , little eva , eliza , pious christian mothers , ligree , sambo and qimbo and etc . . it aims at revealing the christianity in this novel , and thus furthers our understanding of the classic novel from a new perspective
    摘要本文采用加拿大著名文学批评家诺斯罗普?弗莱的原型理论,从圣经原型的角度出发,分析《汤姆叔叔的小屋》中的各类人物形象,以揭示这部小说中的基督教理念,帮助读者从新的角度来欣赏这部经典之作。
  • Since literature analyzes the relations between men and women , or the most puzzling manifestations of the human psyche , or the effects of material conditions on individual experience , the theories that most powerfully and insightfully explore such matters will be of interest to literary critics and theorists
    鉴于文学分析男性和女性的关系,或者人类内心世界,或者物质对个人经验的影响,文学批评家们和理论家们将对那些对这类事物探索最力和最具洞察性的理论感兴趣。
  • Harold bloom , a monumental and legendary figure of literary criticism at yale university , a name that cannot be avoided in poetry criticism , is one of the strongest and definitely the most prolific critics of his generation or of several past generations . professor xu jing , correspondent of foreign literature studies , interviewed professor bloom in may 2006 . this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence , a map of misreading , kabbalah and criticism , and poetry and repression . bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism , and uses " dancing " to explain his famous yet baffling six rations of " misprision . " always preoccupied with his own theory , bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens . looking back to his past , bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry , a theoretician of poetry , and a critic for the general public . bloom began his career as a critic of british romantic literature in the afterglow of the new criticism . in the 1970s , bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s . since the 1980s , bloom has become less technical and hopes to reach a wider readership . his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world . at present , the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece , the anatomy of influence , which is to be published in 2008 by princeton university press
    哈罗德?布鲁姆教授是耶鲁大学具有里程碑意义和传奇色彩的文学批评家,一个诗歌批评界的一个不可回避的名字,是他那一代人或几代人中最猛烈的、也无疑是最多产的批评家之一.本刊特约记者徐静于2006年5月对布鲁姆教授进行了采访.本次访谈的重点是布鲁姆在20世纪70年代以《影响的焦虑》 、 《误读的地图》 、 《卡巴拉与批评》 、 《诗歌与压抑》四部曲的形式相继提出的、具有爆炸性的"诗歌理论" .布鲁姆认为"影响的焦虑"是他对文学批评最重要的贡献,并用舞蹈这一形象的比喻来解释了他那著名的却常常令人困惑的关于"误读"的"六个定量" .在访谈中,布鲁姆还追溯了几位对爱米莉?狄金森颇有影响的前辈诗人,并简单比较了惠特曼和史蒂文斯.布鲁姆将他的批评生涯概括为三个阶段:浪漫主义诗歌的复兴者,诗歌理论家以及面向大众的批评者.在新批评的余辉中,布鲁姆以对英国浪漫主义诗歌的批评开始了其批评生涯. 20世纪70年代布鲁姆提出了他那爆炸性的、以四部曲的形式相继问世的"诗歌理论" .进入80年代后,布鲁姆的批评不再艰深难懂,他希望能拥有更广大的读者群.他为普通大众所写的文学批评及"宗教批评" (布鲁姆语)使得哈罗德?布鲁姆成为了美国以及全世界的一个家喻户晓的名字.目前, 76岁的布鲁姆正全力写作《影响的解剖》一书,将于2008年由普林斯顿大学出版社出版
  • Since 1990s , literary criticism has been under theimpact of market economy ; its influence and function in practice have beendecreasing gradually ; literary criticists have been losing their academic position ; literary criticism has been continuously losing its position in theory society , making literary criticism sink into an embarrassed situation
    摘要自20世纪90年代以来文学批评在市场经济的冲击下,在现实生活中的影响与作用正逐步缩小,在文学的天地中文学批评越来越走向边缘,文学批评家地位的失落,文学批评在理论界地位的不断萎缩,使文学批评陷入了一种十分尴尬的境地。
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