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审美心理学的英文

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"审美心理学"怎么读用"审美心理学"造句

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  • aesthetic psychology
  • psychology of aesthetics

例句与用法

  • Exposition by langfeld of 3 points in aesthetic psychology
    朗菲德对审美心理学中三个问题的论述
  • On the conception to set up ethnic aesthetic psychology in yunnan
    关于创建云南民族审美心理学的构想
  • According to the psychology about appreciation of beauty and the educational psychology , this teaching form has many functions : developing non - intelligential elements , such as interest , emotion , and motive ; improving the structre of thought . these are informing with the principle of teaching theory and quality - enhancing education
    审美心理学和教育心理学的角度上说,这种教学形式具有培养学生物理学习情感、兴趣和动机等非智力因素,改善思维结构等功能,这正是符合物理教学论原则及素质教育要求的。
  • The paper advances the origin of the ornamental elements of architecture , applying the theories of morphology , architecture symbology , aesthetics , psycology and so on . it has discussed the form and style evolution on the ornamental elements of architecture along the chinese and western history
    文章从建筑装饰性构件的起源入手,结合形态构成学、建筑符号学、美学、审美心理学等理论,沿中国和西方建筑历史发展的主线,从纵向探讨了科学文化不同发展阶段建筑装饰性构件的形式和风格演变。
  • Based on the aesthetic psychology , this article analyses the mechanism of english hyperbole from three aspects - seeking for the differences in the aesthetic psychology and choices in the aesthetic perception , the aesthetic emotion and imagination ; according to its mechanism , the aesthetic value created by english hyperbole has the beauty of image , the beauty of imagery and the beauty of artistic conception
    摘要本文以审美心理学为依据,从三个方面分析了英语夸张辞格生成的心理机制审美求异心理、审美知觉的选择性,审美情感以及审美想象;并根据其心理机制,论述了英语夸张辞格创造出的形象美、意象美和意境美。
  • Thus , this paper starts with the ontogenesis of tv symbolic system and attempts to draw an outline for television symbolic system , on the basis of the research achievement of symbology , linguistics and aesthetic psychology . furthermore , it also discuss what kind of television symbols have the function of review and how this symbols organized and structure together , in order to fulfill the process of review in purpose
    本文从电视符号体系的本体论入手,借鉴符号学、语言学、审美心理学的研究成果,论述电视述评的传播符号和话语系统,并在此基础上具体研究哪些电视符号能够承担评论功能,它们又是如何组织、结构来完成论说的过程,实现“说理”目的的。
  • No . 2 , through the citing of the modern aesthetics , the thesis expounds that the form of beauty consists in the highly unification of the laws and goals from the viewpoint of the philosophy esthetics ; proves that the architecture have the characteristics of the natural beauty and the social beauty from the standpoints of the psychology of architecture aesthetics and the sociology of architecture art
    第二,引入了现代美学理论,论文从哲学美学角度阐述了美形成于‘规律性’与‘目的性’的高度统一;从建筑审美心理学和建筑艺术社会学的角度论证了建筑拥有自然美与社会美的特征,进而提出创作和感知建筑语言之美的关键在于其表达应该符合‘真’与‘善’的高度统一。
  • To do it , must study cognitive psychology , aesthetic between psychology and movement behavior , etc . theory and law of people , in the interface design , fully use people to be apt to understand the figure ( have like the figure and abstract figure ) with memory and a small amount of characters , and use color , static picture and picture of moving , make people in operate computer and computer show mutual relation of working state to people , reach the greatest and convenient and high - efficient possibility
    要做到这一点,就必须研究人的认知心理学、审美心理学与人的动作行为等理论与规律,在界面设计中,充分运用人们容易理解与记忆的图形(具象图形与抽象图形)与少量文字,以及运用色彩,静止的画面与运动的画面等,使人在操作计算机及计算机向人显示其工作状态的交互关系中,达到最大方便与高效的可能。
  • According to the theory of contemporary aesthetics , this dissertation concluded the feels of neo - high - tech architecture as three parts : apperceive feeling , imagine feeling and comprehend feeling . apperception , imagination and comprehension are the access to aesthetic feelings as well as the levels architects should approach
    本论文在当代审美心理学的总体理论框架下,按着审美情感产生的因素和层次,将新高技美建筑的情感属性归结为三大部分,即感知性情感、想象性情感和理解性情感。
  • By means of aesthetic psychology , we study the sound circumstance of garden and analysis its exiting form , aesthetic character and action system from three main aspects , including the integrate action between hearing , sight and touch , the explanation of traditional philosophy and its realistic action in garden life , aimed at discovering its function in the building of landscape and circumstance of traditional garden
    文章借助审美心理学,通过对园林声境美的研究,就听觉与视觉、触觉等感官知觉之间的总体性作用、对传统哲学的诠释和在园林生活化中的现实表现三个主要的方面来剖析其表现形式、美学特征及作用机制,从而探寻它对传统园林营造中景观与意境塑造的意义。
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