zinkeisen造句

• Rains described Zinkeisen as " a stunning women ".
• Gowns were designed by Doris Zinkeisen.
• In 1935, Anna and Doris Zinkeisen were commissioned by the Clydebank shipbuilders John Brown and Company to paint murals on the ocean liner.
• She arrived later than the other war artists, including Doris Zinkeisen and Eric Taylor, who had visited the camp immediately after its liberation.
• The book was illustrated by Anna Zinkeisen, who contributed a drawing of Xenia James ( Lawrence's role ) to accompany " Star Chamber ".
• Following the liberation of Europe in 1945, Doris Zinkeisen was commissioned by the War Artists Advisory Committee as a war artist for the North West Europe Commission of the JWO.
• Paintings from Zinkeisen's time as a war artist are held by the Red Cross museum and archives, the museum of the Order of St John and the Imperial War Museum.
• Its primary significance was as a " strong impetus for research in Byzantine as well as in modern Greek studies . " Early criticisms were published by the Slovene scholar Jernej Kopitar, Friedrich Thiersch, Johann Wilhelm Zinkeisen, and by George Finlay.
• "Doris Zinkeisen : New Idea portrait with leaf background " was the first photographic cover for " The Home " which was launched in Sydney in 1920 and modelled on the American magazines " House & Garden ".
• Zinkeisen was said to have epitomised the " New Feminine Beauty " described by " The Home " in 1929 as " stark simplicity of line, of corners, angles, slimness, sharpness . . . twenty years ago we were born curvy and now we are born straight . " The leaf background was painted by the Australian artist Adrian Feint.