tamborito造句

• The drums represent the three primary aspects of the Tamborito.
• The Caja is the smallest of the drums used in the Tamborito.
• The Repicador is the final, feminine, aspect of the Tamborito.
• The Repujador is the masculine aspect of the Tamborito, as this drum creates the base.
• The male dancer will kneel three times, known as the golpes magistrales, thus beginning the Tamborito dance.
• The percussion involved in the Tamborito consists of three drums located in the center of the circle created by the estribillio.
• His rhythm is 2x4 as the Panamanian tamborito, and was initially played with cuatro, furro, tambora, charrasca and maracas.
• It is a mixture of Panamanian Tamborito and Cuban Danz髇, created by the musician Ricardo Fabrega during the first half of the Twentieth Century.
• There are three drums, native to Panama, used in the performance of the Tamborito : the  Caja, the  Repujador and the  Repicador.
• The use of Panamanian drumming patterns from'tamborito'music are also a staple of Robles'work . " Zafra " ( 2009 ), for orchestra, is one instance of such use of traditional rhythms.
• With this heritage, Panama has a rich and diverse music history, and important contributions to cumbia, saloma, pasillo, punto, tamborito, mejorana, bolero, jazz, salsa, reggae, calypso, rock and other musical genres.
• With this heritage, Panama has a rich and diverse music history, and important contributions to Cumbia, Saloma, Pasillo, Punto, Tamborito, Mejorana, Bolero, Jazz, Salsa, Reggae, Calypso, Rock and other musical genres.