sandhi造句

• Yangping and shang tone ' s tone sandhi can be considered the same
  阳平和上声的声调变化却几乎一样。
• Other tones when exhibiting tone sandhi does not produce new tone contours
  其馀声调的变调都不会产生新的调值。
• The interchangeability and orders of the tone sandhi in the dunhuang narrative literature
  字的通假与变调的序列
• There is only one ru tone , though during tone sandhi , a sandhi tone 3 is produced
  入声只有一个?但在变调时会产生一个变调3 。
• Only the qu tone in longchuan sidu dialect compounds of two characters does not exhibit tone sandhi
  龙川四都话在两字词组中只有去声不变。
• Xinfeng dialect ' s ru tone does not change , though in sidu dialect despite the tone sandhi , it only has one ru tone
  新丰的入声不变?但四都却在变调时“还原”了一个入声。
• This paper introduce the rule of the dissyllabic tone sandhi in ningyuan pinghua and several specilial tone changes
  摘要本文介绍宁远平话的两字组连读变调规律和几个特殊的音变现象。
• In teaching putonghua , the tone sandhi , which doesn ' t reflect the reality of modern spoken chinese , should be done away with
  对于一条不反映现代汉语口语实际的音变规则，应在普通话教学和训练中予以剔除。
• An experimental study on errors in articulating 3 3 tone sandhi of bi - syllable of mandarin produced by overseas indonesian students of chinese origin
  印尼华裔留学生汉语普通话双音节上上连读调偏误实验研究
• In modern chinese phonetics , tone sandhi of reduplicated adjectives , which is due to the influence of beijing dialect , is often taught as an important sound change pattern
  摘要在现代汉语语音教学中，叠音形容词变调常作为一条重要的音变规律提出。
• However , in beijing dialect , this tone sandhi , which often takes place in less solemn language environment , involves only a small number of reduplicated adjecfives
  这种变调源于北京话，但是北京话里也只有少数叠音形容词变调，而且这一部分可变调的词在庄重的语境里也不应变调。
• Longchuan sidu dialect ' s tone sandhi rules seem rather complex at first glance , but on careful inspection , but when comparing xinfeng shuiyuan dialect , one discovers that it follows the categories in xinfeng shuiyuan dialect
  龙川四都话的变调规律看起来也相当复杂?但只要小心跟新丰水源话比较?可以发现它跟新丰水源话有点类似。
• We can solve the question of the source of the tune sandhi on the character " one " through the comparison with the tones of " rhyme and rhythm of the central plains " and the interchangeability in modem pekingese , and find a position for this kind of interchangeability in the orders of tone sandhi
  通过与《中原音韵》声调和现代汉语北京话变调的比较，我们可以解决“一”字变调的来源问题，同时在变调的序列里为这种通假找到一个位置。