saddlemen造句

• Bill Haley and the Saddlemen recorded two boogies in 1951.
• In 1947, blues singer Bill Haley and the Saddlemen.
• "Rock the Joint " and its immediate follow-ups were released under the increasingly incongruous Saddlemen name.
• It was then known as Bill Haley's Saddlemen, indicating their definite leaning toward the tough Western style.
• The group disbanded in 1949 and Haley went on to form The Saddlemen, which later became Bill Haley & His Comets.
• Slap-back had been used by bassist Al Rex, although to a lesser extent, on the Saddlemen's " Yodel Your Blues Away ".
• Born in Old Fort, North Carolina, Lytle was a guitar player before joining Bill Haley's country music group, The Saddlemen, in 1951.
• Born in South Philadelphia, Grande played piano and accordion with Bill Haley and the Saddlemen, later known as Bill Haley & His Comets, from 1949 to 1962-63.
• It is also believed that Myers played drums on an early recording by Haley's pre-Comets group, the Saddlemen, though this has yet to be definitively confirmed.
• All the songs on this album were previously released as singles under the Essex banner, including several that were originally released when the band used the name Bill Haley and the Saddlemen.
• :" See the discography of Bill Haley & His Comets for a list of the singles and albums released by Haley with the Saddlemen and the Comets from 1950 onwards ."
• Grande was one of the original business partners who formed the Saddlemen ( the other partners being Bill Haley himself ( d . 1981 ) and steel guitarist country and western decided to change their name to The Comets.
• Taking the record back to Philadelphia, he got Haley and the Saddlemen to record the song and released it on his Holiday label, with the more traditional country song " Tearstains on My Heart " as the flipside.
• They continued playing in clubs as well as over the radio around Philadelphia, and in 1951 made their first recordings on Ed Wilson's Keystone Records in Philadelphia . " On June 14, 1951 the Saddlemen recorded a cover of " Rocket 88 ".
• The 1954 55 Comets were also joined on stage by Bill Haley Jr . during several appearances in 2005 at Bubba Mac's in Sommers Point, New Jersey, and at a 2005 concert recognizing the tenure of Bill Haley and the Saddlemen at the Twin Bars in Gloucester, New Jersey.
• Lytle, who was only a teenager at the time, grew a moustache in order to look a little older, and became a full-time member of The Saddlemen and, in September 1952, he was with the group when they changed their name to Bill Haley & His Comets.
• In 1951, Bill Haley and His Saddlemen recorded a single called " My Palomino and I " / " My Sweet Little Girl from Nevada " for Cowboy Records ( CR 1701 ) which was released as by " Reno Browne and Her Buckaroos ", even though Browne had no connection with the recording ( though her photo did appear on the sheet music for the latter song ).
• Yeah ! " The flip side was " I Got Eyes For You . " BSD 1005 had on the A side, Cavallo's cover of Jimmy Preston's " Rock The Joint . " Bill Haley and his Saddlemen's 1952 waxing of that tune marked the dawn of guitar-based rockabilly, but Cavallo's earlier record was done with saxophones and brass in the germinal rock and roll style.
• His main claim to fame was to record, as "'Jimmy Preston and His Prestonians "', the original version of " Rock the Joint " for Gotham in 1949 . The sax breaks on " Rock the Joint " were the work of tenor player Danny Turner ( 1920-1995 ) .  Rock The Joint was re-recorded by Jimmy Cavallo in 1951, and Bill Haley and the Saddlemen in 1952.
• In some groups, the slap bass was utilized as band percussion in lieu of a drummer; such was the case with Bill Haley & His Saddlemen ( the forerunner group to the Comets ), which did not use drummers on recordings and live performances until late 1952; prior to this the slap bass was relied on for percussion, including on recordings such as Haley's versions of " Rock the Joint " and " Rocket 88 ".