sacrati造句

• Composers who may have assisted include Sacrati, Benedetto Ferrari and Francesco Cavalli.
• The last private proprietors were Guendalina Stuart and her son, Marchese Uberto Sacrati Strozzi.
• At the death of the Marquese Carlo in 1871; the palace passed on to Massimiliano Strozzi Sacrati of Mantua.
• Alan Curtis, in his 1989 edition of the opera, ascribed authorship of the final scene to Monteverdi's contemporary Francesco Sacrati.
• Sacrati had quite a reputation in his time; alas, only his earliest opera, " La Finta Pazza, " survives.
• "La finta pazza ", an Italian play by Giulio Strozzi mixed with an opera by Francesco Sacrati was given under the auspices of Cardinal Mazarin in December 1645.
• "' Palazzo Prosperi-Sacrati "'is a Renaissance-style palace located on Corso Ercole I d'Este in Ferrara, region of Emilia Romagna, Italy.
• Virtually none of the contemporary documentation mentions Monteverdi, and music by other composers has been identified in the scores, including passages found in the score of Francesco Sacrati's opera " La finta pazza ".
• All these performances were using the same libretto, but it is unknown whether they used the same music by Sacrati or other music ( having different music for the same libretto at the same time was not unusual ).
• 1647 saw productions in Bologna, by the Accademici Discordati with the probable participation of Francesco Sacrati, and in Genoa; the next year it could be seen in Turin and Reggio Emilia, and in 1652 it appeared in Naples and Milan.
• He wrote the libretto for the opening of the Teatro Santi Giovanni e Paolo in 1639 ( " La Delia ", music by Francesco Manelli ), and for the 1641 opening of the Teatro Novissimo ( " La finta pazza ", music by Francesco Sacrati ).
• Francesco Sacrati not only wrote the music but also arranged for the singers, with the role of Deidamia, the " madwoman " from the title, given to the young soprano Anna Renzi, who had only made her debut in Rome the previous year and would now perform in Venice for the first time.
• Ringer suggests that Monteverdi's age and health may have prevented him from completing the opera without help from younger colleagues; he speculates about an arrangement resembling " the workshop of Rubens, who might design a painting and handle the important details himself but leave the more mundane aspects . . . to younger apprentice artists . " The musicologist Alan Curtis believes that only a single collaborator was involved, and published his 1989 edition of " L'incoronazione " under the joint authorship of Monteverdi and Sacrati.