ramuntcho造句

• In " Ramuntcho " the Basque country is presented as a quasi-paradisiacal land.
• Even those amongst his comrades who have become fathers, continue to participate in their world as before, but not Ramuntcho ."
• It is set where Ramuntcho and the chaste Gracieuse had their secret meetings, is an idyllic inspiration featuring an expressive exchange between two flutes.
• When Ramuntcho returns, having symbolically exchanged the'pantalon rouge'of the military, for the'tenues l間鑢es'of the players of pelota, he is changed.
• In 1942 he created the role of the Vicar of Etchezar in the world premiere of Deems Taylor's " Ramuntcho " with Sylvan Levin's Philadelphia Opera Company.
• With Malitte Pope he had a daughter in 1955, Federica Matta, also an artist, and a son in 1960, Ramuntcho, a musician and record producer; they live in Paris.
• The Basque setting of Pierre Loti s play " Ramuntcho " made the inclusion of Basque traditional melodies in the incidental music composed for it in 1907 by Gabriel Piern?a natural choice.
• They recorded an album in 1986 with French musician Ramuntcho Matta, featuring Gysin singing / rapping his own texts, with performances by Lacy, Don Cherry, Elli Medeiros, Lizzy Mercier Descloux and more.
• Ramuntcho and Gracieuse also used to meet at village dances such as that represented here by a fandango with picturesque interventions from a pair of piccolos and a drum echoing the pipe-and-tabor bands of the region.
• But the critic Patrick Besnier has argued that more than the idyll, " Ramuntcho " belongs in the " Bildungsroman " tradition, to the novel of apprenticeship and of formation . " The title is significant.
• He is the father of six children, two died prematurely, leaving his creative legacy to artists Gordon Matta-Clark and his twin brother Sebastian, Ramuntcho Matta, Federica Matta, designer Alis閑 and writer Pablo Echaurren, whose surname was wrongly recorded at birth.
• He made a few electrical recordings for Odeon Records, from 1928 to 1934, conducting the L'Orchestre Colonne, including a 1929 performance of his " Ramuntcho " and a 1931 performance of excerpts from his ballet " Cydalise et le Chevre-pied ."
• The " Overture " to the play, which opens Suite No . 1, the first of two orchestral suites drawn from the Ramuntcho music in 1910, is a demonstration of how seriously and at the same time how entertainingly Piern?set about creating an authentically Basque backdrop.
• The outside world doesn't intrude, even military service is left hazy  the reader learns only that Ramuntcho departs for'a southern land .'From this Basque paradise, Ramuntcho is going to be excluded; the novel is the story of a fall, and of an exile from Eden.
• The outside world doesn't intrude, even military service is left hazy  the reader learns only that Ramuntcho departs for'a southern land .'From this Basque paradise, Ramuntcho is going to be excluded; the novel is the story of a fall, and of an exile from Eden.
• And the novel about love in beautiful natural surroundings is only a stage, an appearance of this book, a dark and tragic book . . " The apprenticeship is a series of ruptures and of renunciations so that on the last page Ramuntcho appears as " une plante d閞acin閑 du cher sol basque ".
• Suite No . 2 begins with the " Cider House " which reflects the conviviality of the place where Ramuntcho and his smuggler companions would plot their sorties into Spain and, no doubt, entertain themselves with folk tunes like the two introduced separately at first and combined in the closing bars . " The Convent " is a contrastingly ethereal piece reflecting in its scoring for muted strings the rarefied atmosphere of the nunnery and, with the entry of an ancient Basque canticle on woodwind, anticipating the death of Gracieuse.