octosyllable造句

• He typically uses octosyllables mixed with hexa-or heptasyllabic lines.
• His verses are mostly octosyllables with, generally, a median caesura.
• It does not use octosyllables, but a tailrhyme strophe . 5.
• The Albanian songs are octosyllable, in relation to the decasyllable Serbian, and a more primitive type of rhyming is regular.
• The poem is a surging monologue of enlaced rhymes in octosyllables, driving along its theme of leaving earthly passion behind and transmuting it to heavenly love.
• The author remains anonymous in spite of the eight lines of octosyllables placed at the end of the text and which contain the name of the author.
• Caesura also occurs in the syllabic metres of French and Polish poetry and for " osmerac " ( octosyllable ) and " deseterac " ( decasyllable ) of Serbocroatian folk song.
• His works are " Ipomedon " and " Protheselaus ", two long metrical romances from the 1180s of over 10, 000 lines, in octosyllables.
• The " sk
  tra " tradition ended around the beginning of the common era and was followed by the poetic octosyllable verse style called the " [
  loka ".
• His most famous Old French work is " La Bible au seigneur de Barzil ", a poem of 1, 029 octosyllables preaching the reform of the southern France.
• The poem is written in symmetric octosyllables combined to sestinas, with the first lament having 74, the second 56 and the third 92 octosyllabic sestinas, rhyming " ababcc ".
• Marie de France's lais, told in octosyllables or eight-syllable verse, are notable for their celebration of love, individuality of character, and vividness of description, hallmarks of the emerging literature of the times.
• In Medieval French literature, the octosyllable rhymed couplet was the most common verse form used in verse chronicles, romances ( the " romans " ), " lais " and " dits ".
• Medieval French heroic romance ( " roman " ) was however most often written in 8 syllable ( or " octosyllable " ) verse . ) Use of the 10 syllable line in French poetry however was eclipsed by the 12 syllable " alexandrine " line, particularly after the 16th century.
• A Proto-Indo-European 7-or 8-syllable line combined with a shorter 5-or 6-syllable line, which is itself derivable from the octosyllable by undoing truncations ( noted in metrical schemes by one or more ^'s, wherever in the meter the truncation has occurred ).
• Some commenters have found that several devices in the text and the music manage to convey a universal meaning, something beyond a simple, humorous list of women : for instance, Luigi Dallapiccola remarks that the line " Cento in Francia, in Turchia novantuna ", breaks the rhythm of octosyllables and so illuminates the whole aria.
• With merely placing the verses in two lines, one per hemistich, and taking into account the fragmentation and holes that the " Mocedades " contains, the nature of the Spanish romance is well explained, with assonance rhyming in the pairs of octosyllables, the beginning " in medias res " and ending interruptions, in addition to an elevated component of novelistic fiction in the recreation of historic events.
• Ian Short, an Emeritus Professor of French at Birkbeck, University of London, stated that the chronicle was written " to provide a vast panorama of the Celto-British, Anglo-Saxon, and Anglo-Norman dynasties in the British Isles from Trojan times until the death of William Rufus . " However, this first portion of the chronicle, known as the " Estoire des Troiiens ", along with another early part named the " Estoire des Bretuns ", has been lost . containing 6, 532 octosyllables.