nagg造句

• The British theatre company Complicite staged the play in London's Tom Hickey as Nagg and Miriam Margolyes as Nell.
• WITH : John Seitz ( Hamm ), Kathleen Chalfant ( Clov ), Alan Manson ( Nagg ) and Irma St . Paule ( Nell ).
• It was directed by Frank Galati and starred Ian Barford as Clov, William Petersen as Hamm, Francis Guinan as Nagg, and Martha Lavey as Nell.
• Sprung created the bilingual version, directed the production, and also played the part of Nagg when Marc G閘inas was in too poor health to play the role he originated.
• In 2008 there was a brief revival staged at the Brooklyn Academy of Music starring John Turturro as Hamm, Max Casella as Clov, Alvin Epstein as Nagg and Elaine Stritch as Nell.
• In addition, a ballad was published on 14 November 1595 by pamphleteer Edward White called " A ballad shewing the strange qualities of a yong nagg called Morocco ", which is now lost.
• Attending him is his slave, Clov ( McGovern ), while, stashed in the trash cans in the corner, are his legless old parents, Nell and Nagg ( Daphne Carroll and Bill Golding ).
• Indeed, the part of the set where Hamm's parents, Nagg and Nell ( Alan Manson and Irma St . Paule ), are famously confined in dustbins, seems to open suggestively out of the theater.
• In recent years Giles has directed Jack and the Beanstalk at the Barbican Centre, The Merry Widow ( 2011 ) and Albert Herring ( 2013 ) at Opera North and played Nagg in Endgame at the American Conservatory Theater, San Francisco.
• In the Paris Review article " Exorcising Beckett ", Lawrence Shainberg claims that according to Beckett the characters'names signify the following : Hamm for Hammer, Clov for clou ( the French for nail ), Nagg for nagel ( the German for nail ), and Nell because of its resemblance to the death knell of the deceased.
• Beckett protested that his play had been " musicalized, " objected to the casting of two black actors as Hamm and Nagg and, quoting his set descriptions, wrote in a program note that " any production of'Endgame'which ignores my stage directions is completely unacceptable to me . " ( Though he never saw the production, he added that " anybody who cares for the work couldn't fail to be disgusted by this . " ) The furor unleashed by this production, and the unsuccessful efforts of Beckett and his agents to close it down, eventually made him put a codicil in his will insisting on control of future productions beyond the grave, on pain of legal action.