muliar造句

• After the war, Muliar started his career as a stage actor.
• But retired tractor driver Ivan Muliar was skeptical.
• It was a foregone conclusion that Fritz Muliar would play the role of Schwejk.
• Muliar appeared in numerous films and in some television series such as " ORF ) in 1972.
• Musical theatre saw Muliar in the non-singing role of Frosch in " Die Fledermaus ".
• Fritz Muliar was even greatly acknowledged by Heinz R黨mann for his role, who had already played Schwejk in the movie of the same name.
• Muliar, Michael Dangl the theater and Jeff Baron were awarded the 2001 Kulturpreis Europa for this production, which ran for several seasons and was nationally telecast.
• "Look, those boys who dug out the metal did not get sick, " argued Muliar . " There must be some other reason ."
• At Theater in der Josefstadt, Muliar was perhaps best known for the role of Mr . Green in Jeff Baron's Visiting Mr . Green ( Besuch bei Mr Green ).
• He was a member of the Landestheater Linz Ensemble for over 20 years, and was a guest singer at the Vienna Volksoper under the lead of Fritz Muliar and at the Opera Graz.
• Muliar also excelled in imitating various Siberia " ( televised in 1991 ), a study in ageism about an old man who has been abandoned by his family in a retirement home and his struggle for dignity.
• Some famous former members of the ensemble were Max Devrient, Josef Kainz, Josef Lewinsky, Joseph Schreyvogel, Adolf von Sonnenthal, Charlotte Wolter, Ludwig Gabillon, Zerline Gabillon, Attila H鰎biger, Paula Wessely, Curd J黵gens, O . W . Fischer, Paul H鰎biger, Otto Tausig, Peter Weck, Fritz Muliar, and Christoph Waltz.
• While he also performed regularly at the Salzburg Festival in the play " Everyman " ), Muliar was associated with two Viennese theatres in particular : the Burgtheater ( whose tenured member he was until his retirement ), and the Theater in der Josefstadt, where he worked until his death in 2009 . He was one of the severest critics of Claus Peymann ( born 1937 ), director of the Burgtheater between 1986 and 1999 whose leadership polarized Austrian theatregoers by its focus on controversial playwrights such as Thomas Bernhard and Elfriede Jelinek.