keramic造句

• A number of their early designs were published in Keramic Magazine.
• She was president of the Keramic Society of Greater New York and president of the New York National Society of Craftsmen.
• Arising from this event he co-authored the Descriptive Catalogue of Japanese Lacquer ware of the Bowes Collection . 1875, and The Keramic Art of Japan.
• A member of the Twin City Keramic Club, she was also a frequent contributor and assistant editor of the national magazine for china painters, " Keramic Studio ".
• A member of the Twin City Keramic Club, she was also a frequent contributor and assistant editor of the national magazine for china painters, " Keramic Studio ".
• In 1875 Audsley collaborated with his friend James Lord Bowes, a wealthy Liverpool Wool Merchant and collector of Japanese art, to produce " The Keramic Art of Japan ".
• She married Samuel E . Robineau of France in 1899, and in that year the couple launched " Keramic Studio ", a pioneering periodical for ceramic artists and potters.
• In it Binns referred to " studio work " and the " artist potter ", and a review of it in Adelaide Alsop Robineau's magazine " Keramic Studio " referred to  studio pottery.
• Sending a copy of The Keramic Art of Japan to the Emperor Meiji in 1891 resulted in a reply from the Minister of the Imperial Household, Tokudaiji Sanetsune / ( Sanenori ) that the Emperor had sent him, in return, an Imperial gift of two bronze vases.
• Following the popularity of Satsuma ware at the 1867 exhibition and its mention in Bowes " Keramic Art of Japan " in 1875, the two major workshops producing these pieces, those headed by Boku Seikan and Chin Jukan, were joined by a number of others across Japan .  Satsuma ceased to be a geographical marker and began to convey an aesthetic.
• The Arts and Crafts, and the Art Pottery Movement owes much to Hugh Robertson-After years of experimentation, and eventual artistic success, Hugh Robertson exhausted the finances of the Chelsea Keramic Art Works and the studio closed in 1889 . He did not return to the pottery world until July 17, 1891 when he established Chelsea Pottery, US in Dedham, Massachusetts Robertson later went on to success in 1895, with the Dedham Pottery Company, in good part based on his glaze success at the Chelsea Keramic Art Works.
• The Arts and Crafts, and the Art Pottery Movement owes much to Hugh Robertson-After years of experimentation, and eventual artistic success, Hugh Robertson exhausted the finances of the Chelsea Keramic Art Works and the studio closed in 1889 . He did not return to the pottery world until July 17, 1891 when he established Chelsea Pottery, US in Dedham, Massachusetts Robertson later went on to success in 1895, with the Dedham Pottery Company, in good part based on his glaze success at the Chelsea Keramic Art Works.