iconophobia造句

• The history of iconophobia begins with ancient Greece and Rome and continues with the violent iconoclasms of the period 726-842 in the Byzantine Church.
• In " Iconophobia, " published in a 1981 collection of essays, Kenneth Clark drew a parallel between abstract painting and the Hebraic prohibition against representation.
• Iconophobia, by comparison, is defined as  the total repudiation of all images, which Collinson associates with a watershed moment around 1580, introducing a  sudden and drastic change.
• But it is the Protestant Reformation that is most associated with iconophobia :  The Protestant Reformation, initiated by Martin Luther in 1517, brought iconophobia to the forefront of contemporary politics . . . Iconophobia was pushed to its extreme in the teachings of John Calvin . . . Protestant iconophobia had a huge and not exclusively negative impact on aesthetics and the history of art.
• But it is the Protestant Reformation that is most associated with iconophobia :  The Protestant Reformation, initiated by Martin Luther in 1517, brought iconophobia to the forefront of contemporary politics . . . Iconophobia was pushed to its extreme in the teachings of John Calvin . . . Protestant iconophobia had a huge and not exclusively negative impact on aesthetics and the history of art.
• But it is the Protestant Reformation that is most associated with iconophobia :  The Protestant Reformation, initiated by Martin Luther in 1517, brought iconophobia to the forefront of contemporary politics . . . Iconophobia was pushed to its extreme in the teachings of John Calvin . . . Protestant iconophobia had a huge and not exclusively negative impact on aesthetics and the history of art.
• But it is the Protestant Reformation that is most associated with iconophobia :  The Protestant Reformation, initiated by Martin Luther in 1517, brought iconophobia to the forefront of contemporary politics . . . Iconophobia was pushed to its extreme in the teachings of John Calvin . . . Protestant iconophobia had a huge and not exclusively negative impact on aesthetics and the history of art.
• "' Iconophobia "'( literally " fear of icons " ) refers to an aversion to images, especially religious icons . " Iconophobia " is differentiated from " iconoclasm " in that " iconophobia " refers to the aversion to or hatred of the images whereas " iconoclasm " refers to the actual destruction of images that may arise from iconophobia.
• "' Iconophobia "'( literally " fear of icons " ) refers to an aversion to images, especially religious icons . " Iconophobia " is differentiated from " iconoclasm " in that " iconophobia " refers to the aversion to or hatred of the images whereas " iconoclasm " refers to the actual destruction of images that may arise from iconophobia.
• "' Iconophobia "'( literally " fear of icons " ) refers to an aversion to images, especially religious icons . " Iconophobia " is differentiated from " iconoclasm " in that " iconophobia " refers to the aversion to or hatred of the images whereas " iconoclasm " refers to the actual destruction of images that may arise from iconophobia.
• "' Iconophobia "'( literally " fear of icons " ) refers to an aversion to images, especially religious icons . " Iconophobia " is differentiated from " iconoclasm " in that " iconophobia " refers to the aversion to or hatred of the images whereas " iconoclasm " refers to the actual destruction of images that may arise from iconophobia.