davenne造句

• After being rebuffed by Davenne, Cecilia breaks off the relationship and he breaks down.
• The film suggests that Massigny once betrayed Davenne but does not say what constituted the betrayal.
• What matters is that Davenne refuses to forget, and this refusal is important for Truffaut.
• C閏ilia completes the work, as she had asked the first time, dedicating one last candle to Julien Davenne.
• During a thunderstorm a fire destroys the green room, Davenne managing to save only pictures and portraits of his wife.
• Having forgiven Massigny, Davenne joins her in the chapel, but he is weakened, falls to the ground and dies.
• The friendship between the two seems to evolve when Paul Massigny, a French politician and Davenne's former best friend dies.
• The chapel was used for Davenne's shrine to the dead, with Jean-Pierre Kohut-Svelko designing the set inside.
• To keep the chapel Davenne calls a young woman, C閏ilia, secretary of the auction house that has regained a ring that had belonged to Julie.
• When Davenne first visits C閏ilia at home Davenne discovers that the living room is full of pictures of Massigny and, without asking for explanations, leaves.
• When Davenne first visits C閏ilia at home Davenne discovers that the living room is full of pictures of Massigny and, without asking for explanations, leaves.
• "It's really important to have this parade go on to get the city back on track, " said parade marshal Mike Davenne.
• Vincent Canby of " The New York Times " gave the film a mixed review and criticized Truffaut's performance, saying that " Truffaut does not make it easy for us to respond to Davenne ".
• In October 1976, Truffaut showed a new draft to Gruault, which now included a deaf-mute child as the main character Julian Davenne's prot間? and had Davenne work as an obituary writer in a small Parisian magazine.
• In October 1976, Truffaut showed a new draft to Gruault, which now included a deaf-mute child as the main character Julian Davenne's prot間? and had Davenne work as an obituary writer in a small Parisian magazine.
• He could rely on me, which was very reassuring to him . " Truffaut filled out the cast with Jean Dast?as Davenne's boss at " The Globe ", Antoine Vitez as a clergyman, Jean-Pierre Moulin as a widower that Davenne comforts in the film and Patrick Mal閛n as the deaf-mute child.
• He could rely on me, which was very reassuring to him . " Truffaut filled out the cast with Jean Dast?as Davenne's boss at " The Globe ", Antoine Vitez as a clergyman, Jean-Pierre Moulin as a widower that Davenne comforts in the film and Patrick Mal閛n as the deaf-mute child.
• Pascal Bonitzer viewed the film as " most profound, and without much exaggeration, one of the most beautiful French films of recent years, " and that " it is not for nothing that Truffaut embodies his character, and that in the latter, Julien Davenne, the author and the actor are entwined in the tightest possible way . . . rarely does a filmmaker involve himself to that point-involving his body ( and note all the ambiguity of the word in the context of this funeral film ) and even " his " dead; mixing together Julien Davenne's dead with those of Fran鏾is Truffaut in the flaming chapel where the film comes to an end . " Joel Magny called Julien Davenne the ultimate " truffaldian " hero, " unable to live the present moment in the fullness of his being, where he is . . . in a perpetual time-lag with reality . " The French magazine " T閘閞ama " called Davenne " l'homme qui aimait les flammes " ( " the man who loves the flames " ).
• Pascal Bonitzer viewed the film as " most profound, and without much exaggeration, one of the most beautiful French films of recent years, " and that " it is not for nothing that Truffaut embodies his character, and that in the latter, Julien Davenne, the author and the actor are entwined in the tightest possible way . . . rarely does a filmmaker involve himself to that point-involving his body ( and note all the ambiguity of the word in the context of this funeral film ) and even " his " dead; mixing together Julien Davenne's dead with those of Fran鏾is Truffaut in the flaming chapel where the film comes to an end . " Joel Magny called Julien Davenne the ultimate " truffaldian " hero, " unable to live the present moment in the fullness of his being, where he is . . . in a perpetual time-lag with reality . " The French magazine " T閘閞ama " called Davenne " l'homme qui aimait les flammes " ( " the man who loves the flames " ).
• Pascal Bonitzer viewed the film as " most profound, and without much exaggeration, one of the most beautiful French films of recent years, " and that " it is not for nothing that Truffaut embodies his character, and that in the latter, Julien Davenne, the author and the actor are entwined in the tightest possible way . . . rarely does a filmmaker involve himself to that point-involving his body ( and note all the ambiguity of the word in the context of this funeral film ) and even " his " dead; mixing together Julien Davenne's dead with those of Fran鏾is Truffaut in the flaming chapel where the film comes to an end . " Joel Magny called Julien Davenne the ultimate " truffaldian " hero, " unable to live the present moment in the fullness of his being, where he is . . . in a perpetual time-lag with reality . " The French magazine " T閘閞ama " called Davenne " l'homme qui aimait les flammes " ( " the man who loves the flames " ).