dadaglobe造句

• Sanouillet was the first person to call to the attention of the public the existence of Dadaglobe with a published work in 1966.
• ""'Dadaglobe " "'was an ambitious anthology of the Dada movement slated for publication in 1921, but abandoned for financial and other reasons and never published.
• These works were conceived by the artists with their presentation in reproduction foremost in mind . " Dadaglobe " was to have been a manifesto on the revised status of the artwork in reproduction.
• Incognito " ( 2015 ) in collaboration with Folkwang Essen; " Dadaglobe Reconstructed " ( 2016 ) with Adrien Sudhalter in collaboration with MoMA New York; and " Francis Picabia.
• At 160 pages with over a hundred reproductions of artworks and over a hundred texts by some fifty artists in ten countries, " Dadaglobe " was to have documented Dada's apotheosis as an artistic and literary movement of international breadth.
• Sanouillet was assisting with the exhibition " Dadaglobe Reconstructed " in collaboration with the Museum of Modern Art in New York and the Kunsthaus Zurich to commemorate a little-known and unrealized 1921 publishing project by Tristan Tzara and the 100th anniversary of the founding of the Dada movement in 2016.
• Edited by Dada co-founder Tristan Tzara ( 1896-1963 ) in Paris, " Dadaglobe " was not conceived of as a summary of the movement since its founding in 1916, but rather meant to be a snapshot of its expanded incarnation at war's end.
• In scope, ambition, and even title, Tzara's Paris-based " Dadaglobe ", was modeled on Richard Huelsenbeck's Berlin-based, " Dadaco ", planned the previous year, but also abandoned and never published . " Dadaglobe " reached an advanced stage of planning before financial and interpersonal obstacles put a halt to the project in spring 1921, leaving a lacuna where there ought to have been a magnum opus.
• In scope, ambition, and even title, Tzara's Paris-based " Dadaglobe ", was modeled on Richard Huelsenbeck's Berlin-based, " Dadaco ", planned the previous year, but also abandoned and never published . " Dadaglobe " reached an advanced stage of planning before financial and interpersonal obstacles put a halt to the project in spring 1921, leaving a lacuna where there ought to have been a magnum opus.
• Johannes Baargeld, 1920, " Typical Vertical Mess as Depiction of the Dada Baargeld " ( " Typische Vertikalklitterung als Darstellung des Dada Baargeld " ) ] ] Some of Dada's most iconic artworks were created in direct response to the " Dadaglobe " solicitation letter : Ernst's self-portrait montage commonly known as " Dadamax " ( The Punching Ball or the Immortality of Buonarroti ) and his " Chinese Nightingale ", Taeuber's " Dada Head ", and Baargeld's " Typical Vertical Mess as Depiction of the Dada Baargeld " are just a few examples.
• The volume was advertised in Duchamp's and Man Ray's journal " New York Dada " in 1921 : " Order from the publishing house'La Sir鑞e'7 rue Pasquier, Paris, DADAGLOBE, the work of dadas from all over the world [ & ] The incalculable number of pages of reproductions and of text is a guarantee of the success of the book . " When Andr?Breton, later founder of Surrealism, saw the intended contents of the book, he remarked : " The grand album'Dadaglobe'[ & ] will soon appear . [ & ] After the publication of this volume it will be impossible to contest Dada's artistic value ."
• The volume was advertised in Duchamp's and Man Ray's journal " New York Dada " in 1921 : " Order from the publishing house'La Sir鑞e'7 rue Pasquier, Paris, DADAGLOBE, the work of dadas from all over the world [ & ] The incalculable number of pages of reproductions and of text is a guarantee of the success of the book . " When Andr?Breton, later founder of Surrealism, saw the intended contents of the book, he remarked : " The grand album'Dadaglobe'[ & ] will soon appear . [ & ] After the publication of this volume it will be impossible to contest Dada's artistic value ."