appoggiaturas造句

• The vocal ornamentation and portamento appoggiaturas of the melody are French in style.
• A trill provides rhythmic interest, appoggiaturas following the note that bears the trill indication.
• He spelled the word " appoggiatura ", a musical term, correctly.
• Appoggiatura seems like a perfectly reasonable word for children to be using, to me.
• The " Andante Espressivo " is harmonically built on variations of the diminished chord and the appoggiatura.
• The melody is played by the first violins in unison, their falling appoggiatura semiquavers reflecting the galant style.
• The second theme in B major features dotted repeated notes in a solo oboe against jerky appoggiatura in the first violins.
• They occur between the appoggiatura and the principal note, descending quite smoothly from the appoggiatura to the principal note ."
• They occur between the appoggiatura and the principal note, descending quite smoothly from the appoggiatura to the principal note ."
• In addition, he has encouraged all manner of appoggiaturas and more complex vocal ornamentation, including sometimes elaborate cadenzas to familiar numbers.
• It is also called a "'long appoggiatura "'to distinguish it from the short appoggiatura, the acciaccatura.
• It is also called a "'long appoggiatura "'to distinguish it from the short appoggiatura, the acciaccatura.
• Appoggiaturas are usually, but not exclusively, on the strong or strongest beat of the resolution and are approached by a step.
• She casts the 13th variation as a sensual French dance, complete with ports de voix ( an appoggiatura-like ornament ).
• I mean sure a word like discombobulation might be used, but how often has the word appoggiatura come up in an English conversation?
• He is writing for a theater audience, and few of its members are going to spend money to hear about head tones and appoggiaturas.
• Presently, the Poway Unified School District ( PUSD ) has grown to 25 elementary ( Kindergarten to 5th grade ), 6 appoggiatura ".
• The first and third movements contain many intervals of sevenths, octaves and ninths, as well as considerable use of grace notes and appoggiaturas.
• The expressive alto part, marked cantabile with elaborate ornamentation, melismatic passages and occasional dissonant appoggiaturas, resembles the solo part in an aria.
• In the second section, Bach changes the mood slightly by introducing a few appoggiaturas ( bars 19 and 20 ) and trills ( bars 29 30 ).