With the guide of the logocentric criticism of deconstructionist theory , and from the angle of feminine subjectivity , this paper discusses about the strategy which emily dickinson deconstructed the traditional conventions in thoughts during her life and poetic creation , and about wisdom and spiritual power contained in her poetry 摘要以解构主义关于批判逻各斯中心的理论为依托，从发挥女性主体和创造性的角度，论述19世纪美国女诗人艾米莉?狄金森的人生和诗歌创作在思想方面对世俗传统进行解构的策略及其诗作投射出的智慈和精神力量。
This paper focuses on heterogeneous timeism , aimed at the interpretation and the assessment of marxism . in the meantime it serves as a feasible means to comprehend the obscure specters of marx . the author of this thesis holds the view that heterogeneous timeism , one of the most important and the most fundamental presuppositions of deconstructive theory , is a critical ground of argument of derrida ’ s deconstructive theory 本文以异质性时间论这一解构主义哲学的内在主题作为研究课题,一方面借以打开德里达的艰涩文本所隐藏的明确的哲学诉求,另一方面又试图说明异质性时间论作为解构主义的马克思理解的哲学目的。
Start with the comment of levinson , a new historicism critic , on the poem tin tern abbey by william wordsworth , the author tried to understand the history reflected from the poem with the help of jameson ' s viewpoint " absence of history " , and to analyze the nature appeared in the poem with the help of the theory of allegory by critic paul de man who did great research work on deconstruction 摘要本文从新历史主义批评家列文森对于华兹华斯《丁登寺》一诗的批评入手，借助詹明信的历史“缺场”观点来理解华兹华斯在这首诗中所反映的历史，同时借助解构主义文评家保罗?德?曼的寓言理论来分析该诗所呈现的自然。
The booming of information technology provides material foundation for the scientific landscape architecture ; new stuff and new technology enrich the design approach greatly . linguistic turning philosophy investigate into how to express the essence of the world that we understand , this makes landscape architecture focus more on the real meaning behind the apparent art form and technologies . a series of new landscape architecture methodology come into being in the process of the investigation : phenomenology , semeiology , mysticism , structuralism , deconstruction etc . many western designers contribute a lot to the research from 1970s till now “语言学”转向的哲学，研究的是如何表达我们所知晓的世界的本质，以语言学为中心的“表达” ，使景观设计更加关注艺术形态和科学技术后面的“意义” ，华中农业大学2003届硕士学位论文由此引导出一系列新的景观设计方法论:现象学、符号学、神秘主义、叙事性、结构主义、解构主义等， 70年代后至今的很多西方景观设计师，对此做出了积极的探索
