To leibnitz it was " unconscious counting " a species of mathematics ; to john ruskin " frozen architecture " ; but to musicians it was , until only very recently , " singing . " sound was simply the physical medium , the carrier of the increasingly expanding structures which based themselves primarily on the model of the vocal phrase and its psychology , and projected its human aspirations in clearly shaped , arching melodic lines with or without verbal association 对leibnitz (雷布尼兹) ,它是"不自觉地数"一种数学;对johnruskin "冻结建筑" ;但对音乐家,它本是, (直到最近才改变) , "唱" .声音只是单纯的物体媒介;携带著,基于唱句及其心理模式扩增的结构,投射人的气,以清楚的拱形旋律,可或有或无词句
