davenne造句

• Pascal Bonitzer viewed the film as " most profound, and without much exaggeration, one of the most beautiful French films of recent years, " and that " it is not for nothing that Truffaut embodies his character, and that in the latter, Julien Davenne, the author and the actor are entwined in the tightest possible way . . . rarely does a filmmaker involve himself to that point-involving his body ( and note all the ambiguity of the word in the context of this funeral film ) and even " his " dead; mixing together Julien Davenne's dead with those of Fran鏾is Truffaut in the flaming chapel where the film comes to an end . " Joel Magny called Julien Davenne the ultimate " truffaldian " hero, " unable to live the present moment in the fullness of his being, where he is . . . in a perpetual time-lag with reality . " The French magazine " T閘閞ama " called Davenne " l'homme qui aimait les flammes " ( " the man who loves the flames " ).