What kim does is to provide an opportunity for them to revive , even though it means the sacrifice of traditional moral code . while kim s movies are always filled with very strong and abstract visual elements , we don t really have too many visually stunning moments this time 金基德以一种宠容的手段，让他们来一次非理性、把道德等一切凡俗枷锁抛诸脑后的发泄，究其原因，还不是出于他对小人物的关怀，希望他们能够超脱
What kim does is to provide an opportunity for them to revive , even though it means the sacrifice of traditional moral code . while kim s movies are always filled with very strong and abstract visual elements , we don t really have too many visually stunning moments this time 金基德以一种宠容的手段，让他们来一次非理性、把道德等一切凡俗枷锁抛诸脑后的发泄，究其原因，还不是出于他对小人物的关怀，希望他们能够超脱
Which is directed by kim gi - duk , the director of this film , you should be able to expect how unconventional this film could look . among all the korean films i have seen recently , this film did absolutely provide the most unforgettable viewing experience . the story of this film is grotesque and illogical 烂泥情人是一很奇特的电影，如果有看过同为金基德执导的飘流欲室的朋友，大概也能猜到此片并不会是典型的剧情片。
The first three minutes of this film is spectacular . without the use of any meaningful dialogues , kim gi - duk draws our entire attention through a series of events that is visually stunning . this startling beginning gives us a precaution , it warns us that this story is not going to unfold as it usually happens in a conventioanl narrative film . therefore , we should keep an open mind when we watch it 此片开首三分钟甚为震撼，差不多一句正式的对白也没有，编导单凭影像便拍出令人难忘的一幕，令人叹为观止，也想起西方默片《一条安德鲁犬》的片首割眼一幕，和该片一样，金基德好像是想以此开首告诉观众他这出电影绝不归于平淡，大家不要抱著看普通剧情片的心态观之。
If you have seen this film , you ll probably agree with me that the love relationship between dae - jin and eun - soo is more than incestuous , it is not inappropriate if you want to call it sick . since i don t know too much about the korean culture , i darenot say this kind of distorted love relationship has any social implication , but i tend to believe that the forbidden love affairs may actually be a metaphor of how south koreans view north korea , or to be a bit more specific , it is probably a subconscious reflection of their ambivalent feeling toward north korea 不知何解， 2002年韩国电影圈吹起一片畸恋风，年初先有金基德的《烂泥情人》 ，继后又有《复仇》 、 《鬼铃》 、 《爱的绿洲》及《三更》等片，片中人表达感情的方式都异于常人，本片也不例外，相信看过的朋友都会同意，戏中人的恋爱观的确不寻常，而且是近乎病态的心理。
Following the peculiar style of kim gi - duk s other works , the setup of the story is quite simple and direct , plotholes are easy to spot as usual . kang jang dong - gun is a coast guard who works at the border of south korea . he shoots a trespassing civilian down during his duty 韩国鬼才导演金基德的电影一向偏锋独特， 2002年初先以暴疟的烂泥情人震撼人心到了年尾则有杀越海防禁区前译：海岸线，金氏继续其话不惊人死不休的态度，把一部普通的军旅片拍得迷幻诡异。
If you consider the causes behind all these tragedies , what she gets is not totally the fault of the coast guards , she is actually the one who should be blamed . relatively speaking , kang is not the only one who should take all the responsibilities , he is in fact the victim of this incident . kim gi - duk leads us to see the reality from a reversed perspective , which is quite introspective , as it is the alternate side of reality usually ignored by us 金基德这种倒置的价值观，即以极端的人物和故事内容让我们从一个新的角度去了解现实，表面上可能觉得有点离经叛道，锄弱扶强，但细心一点看，却并非毫无道理的无稽之论，而且能刺激观众思考，例如此片姜上兵及mi - young的悲剧，就扯上社会责任这个课题，片中各人每每拒绝面对现实，一味逃避责任，终致悲剧收场，这其实是很值得观众反思的寓言。
The first three minutes of this film is spectacular . without the use of any meaningful dialogues , kim gi - duk draws our entire attention through a series of events that is visually stunning . this startling beginning gives us a precaution , it warns us that this story is not going to unfold as it usually happens in a conventioanl narrative film . therefore , we should keep an open mind when we watch it 此片开首三分钟甚为震撼，差不多一句正式的对白也没有，编导单凭影像便拍出令人难忘的一幕，令人叹为观止，也想起西方默片《一条安德鲁犬》的片首割眼一幕，和该片一样，金基德好像是想以此开首告诉观众他这出电影绝不归于平淡，大家不要抱著看普通剧情片的心态观之。
This startling beginning gives us a precaution , it warns us that this story is not going to unfold as it usually happens in a conventioanl narrative film . therefore , we should keep an open mind when we watch it . it seems that kim gi - duk never ran out of innovative ideas , there is the protagonist who has one single line of dialogue in the film , the freaky beach picture , the room with a non - reflex mirror that is connected to a dark room , and many more 此片开首三分钟甚为震撼，差不多一句正式的对白也没有，编导单凭影像便拍出令人难忘的一幕，令人叹为观止，也想起西方默片一条安德鲁犬的片首割眼一幕，和该片一样，金基德好像是想以此开首告诉观众他这电影绝不归于平淡，大家不要抱著看普通剧情片的心态观之。
After that , he begins to suffer from mental breakdown and gradually turns insane ; on the other hand , mi - young kim ji - ah , the girlfriend of the killed civilian , is shocked by what she witnesses at the scene and also ends up being a psycho . the two of them wander around the camp of the coast guard like drifting spirit , causing a lot of pressures to the soldiers there . . 一如金基德以往的作品，电影的布局很简单，剧情荒谬，姜上兵张东健在边境军营执行职务时遇到一对擅闯禁区的偷情男女，他误杀该男子，后备受心理压力和良心责备，渐渐变得失控另外一方面，亲眼目睹男友被杀的女子也变成精神失常。
