The style of cifu in south song dynasty had displayed subtlety and fineness in feeling , taste of senses and freshness of skill conception 南宋辞赋创作风格上多表现为情感的细腻、深婉，理趣的悠长以及构思的新颖奇巧。
Jiang yan is a poet and ci fu writer in the southern dynasty of china , who occupies an important position in the history of the southern dynasty literature 摘要江庵是我国南朝诗人、辞赋家，在南朝文学史上占有重要的地位。
The study of concepts such as ci , fu , ci - fu and cuci in historical records helps to know the changes of ci - fu in han dynasty 考察《史记》中“辞” 、 “赋” 、 “辞赋” 、 “楚辞”等概念的使用有利于我们了解辞赋名称在汉代的演变情况。
Cifu in south song dynasty , as a part of chinese cifu literature , was influenced in various respects by the age , the trend of thoughts and moral values 摘要南宋辞赋，作为辞赋发展的一个重要组成部分，必然受其时代特征、社会思潮、价值取向等方面的影响。
Two aspets of - the wei , jin , northern and southern dynasties poetry teaching experience the necessity to open this course and co - relation ship between history and philosophy 文章从两方面探讨了选修课魏晋南北朝辞赋的教学体会：开设此门专业课的必要性和教学中与史学、哲学的相关联系。
Sima qiang is the pioneer to write biography for jia yi and sima xiang - ru in the book of shi ji , recording their stories and creative process and the activity of the early literary group 摘要司马迁在《史记》中最早为楚辞作家屈原和西汉初年赋家贾谊、司马相如立传，记载了他们的生平事迹和创作经过，记载了早期文学集团的活动，并大量载录辞赋作品，为保存辞赋文献、保存辞赋研究资料作出了重大贡献。
Cao cao took part in the creation of qingshang music , carrying on a series of innovations to the qingshang music in content , form , melody and style , advocating scholars to compose music , collect dancing and singing talented persons , setting up the qingshang bureau , all these made great contributions to qingshang music 曹操参与了清商乐的创作，在音律、辞赋、歌舞、收集、创作编排等方面对清商乐进行了一系列的创新，他提倡文人创作，搜罗歌舞伎乐人才、设立清商署，对清商乐作出了重大贡献。
This paper , based on analysis of the number of poems and the group of poets mentioning song yu as well as their adoption of his phrases , shows how song yu is received in the tang poems , how his gaotang ' s fairy allusion and sad autumn theme were developed and accepted by poets in the tang dynasty , and furthermore , how this theme was merged with the tang poets ' creation and life experience 摘要唐人诗作中多咏叹宋玉及引用化用其辞赋之作，通过对唐诗中提及宋玉之诗作数量、诗人群体及采用宋玉辞赋时所踏袭之语汇诸端的分析，可看出唐人在诗歌创作方面对宋玉的接受情况，进而揭示“高唐神女”用典系列在唐诗中的嗣响与发展，细绎“穷士悲秋”主题为唐代诗人接受的原因和接受的方式，从而解析此主题在唐人诗歌创作实践中与创作主体生命体验的相互渗透、融合及表现。
