To some extent , do well in financial management is means to grasp the nose of an ox . nongovernment business also increasingly realizes the important and inevitability of financial management 从某种意义上讲，作好了企业的财务管理，也就是抓住了企业管理的“牛鼻子” 。民营企业也日益深刻的认识到了财务管理的重要性与必要性。
He created the character , niu bi zi , a bespectacled , learned chinese gentleman , dressed in traditional chinese clothing with typical chinese humor to counter the prevailing impression of china as the sick man of asia 。牛鼻子是个幽默敢作敢为别人拿他无可奈何的人，黄尧将他塑造成为“东亚病夫”雪耻的绅士，时时呼唤着中华民族独立自强。
These cartoons appeared in newspapers and magazines both for adults and children . huang yao had also published them in booklet form . niu bi zi book1 to 5 , granting happiness from nui bi zi and " if nui bi zi were . . . 牛鼻子以产多见胜，一贯是连环漫画与单幅漫画两种形式并用，发表的园地既多又广，除了报纸副刊和漫画杂志之外，其它如文艺影剧综合儿童等各类杂志，也都经常有牛鼻子出现。
Niu bi zi was a success , as famous as the ye qian yu s mr huang or zhang le ping s san mao . the pioneer of cartoon movies in china , wan lai ming wanted to put nui bi zi on the silver screen to compete with donald duck and mickey mouse , but the project was abandoned because of the war 牛鼻子是30年代中国的一个家喻户晓的漫画形象，当时与叶浅予的王先生张乐平的三毛名，中国卡通电影的先行者万籁呜曾想将其搬上银幕，与米老鼠唐老鸭一争高低，因抗日战争爆发而未果。
It proved that reformcannot be completed immediately , and we should keep with active enterprisingspirit . lt indicated that water supply corporations should grasp the key factor and keepmind on relative factors . at last , the thesis discussed the operation of econotny and soul - searching ofphilosophy , studied the reforming future of yiwu waer supply corporation limited and summarized the experience of water supply corporations 通过其“领先一滞后一反思”发展轨迹的实证分析与考察，证明了改革是不可能一次完成的，需要保持与时俱进的精神状态，证明了改革是一个复杂的系统工程，既要切中要害，抓住改革的“牛鼻子”实现突破，又要兼顾相关方面，使改革全面跟进，企业整体上台阶。
This retrospective exhibition of paintings and cartoons between the 1950s to the 1980s includes huang yao s cartoons incorporating regional southeast asian peoples and cultures during his sojourn in the region what is also known as the nanyang subject matter , a strong reflection of the late artist s localised influence in the nanyang southeast asian region , and illustrates his varied interests in chinese folk art , landscape painting and calligraphy , and his experimentation with chinese ideogram , creating an innovative reverse writing style of chinese calligraphy and experimentation of chinese characters pictography , to product seemingly abstract art forms 专程从吉隆坡来到新加坡的黄家媳妇陈美凌博士说，黄尧逝世后家人一直没有整理他的画作。两年前，中国山东出版社为出版牛鼻子系列漫画，曾经联络黄家寻找材料。家人才开始翻出黄尧的作品， “一看才发现原来有这么多东西，就找专家来看，找美术馆馆长郭建超看是什么东西，怎么知道一看就说是好东西。 ”
