The audience was dazzled by rich doses of melodramatic realist , martial arts , comedy , and cantonese opera films , to name but a few . for the first time , the monotonous black and white screen was livening up by the emergence of 3 - d , scope and colour films 伦理写实片、武侠片、喜剧、粤曲歌唱片… …令人目不暇给；而立体电影、阔银幕电影和彩色片的出现，亦令当时以黑白电影为主的电影世界更形缤纷有趣。
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And imamura shohei , who remade the classic tale in 1982 . with every film he directed , kinoshita experimented with form , narrative and camera movements , employing severe long takes and fast cutting with equal mastery . nonetheless , his innovations never overwhelm the innate humanistic qualities within each work , thus ensuring his legacy as a true cinematic master 他的《日本的悲剧》紧抓住时代脉膊， 《 ?山节考》活用古典戏剧传统，反战的《二十四只眼睛》让举国上下同声一哭，而《卡门还乡》则不但是日本首部彩色片，更是杰出风俗喜剧，又能寓同情于讽刺，其荒诞幽默感，在日本电影中可谓首开先河。
