Aesthetic consideration is not limited to composition or camera work only , the action choreography is also very elegant . it is very different from any hardcore action movies we see today in which a lot of blood is shed , hu s fight scenes are very exquisite and acrobatic . the movements of the actors are not fast or authentic , in some senses , they are more like dancing than fighting 胡氏的武侠片和后来功夫片及现代动作片注重拳拳到肉的写实风格不同，他的武打场面著重动作美学，一招一式打得不快，也不写实，而是像舞蹈一样，每一个姿势都不乏美感，不知是否这个原因，胡氏才找来身型比较轻巧的郑佩佩担当主角，因为她打起来比起身型健硕的男生更富韵律。
Arguably the best film director for traditional style kung - fu action , liu chia - liang a . k . a . lau kar - leung was a pioneer exploring authentic martial art technique and training procedures in kung - fu films . so although david chiang is a kung - fu film veteran , it s no wonder that in the shaolin mantis , where he plays a man who learns martial arts from a praying mantis then seeks revenge for his wife s death , the movie feature some of his best kung - fu fights to date 及后，韦终盗得造反密件，欲与芝离庄，田老遂萌杀意恶斗下芝为掩护韦，惨死于田老拳下韦死里逃生，为报仇创出螳螂拳法功夫片导演刘家良曾执导过许多出色的影片并担任过武术指导， 1950年加入影视圈任临时演员及虎武师，之后他参演过100部影片。
