一木

• So intimate and serene is every tree , every plant , every leaf , and every sound of the birds and the insects in hsihu . i just couldn t help exclaiming loudly in my heart : " it s really great to he home again !
  西湖的一草一木一枝一叶鸟叫虫鸣，多么的亲切，多么的安详宁静，忍不住在内心呼喊一声：回家的感觉真好！
• When a fellow initiate requested to take some blessed food home with her , master answered , " everything here is blessed - the grass , trees , sky , stones , people . take yourself home ; that is the best already
  有人请求师父在他们离开前给予加持物，师父说这里一草一木天空石头人，一切都是加持过的，把自己带回家就是最好的加持物。
• Models in a wooden rack or sit overlooking the lateral or . . . constantly changing positions , she tall , a little color in africa , faces a cold and exaggerated gestures , the wild that should be a masculine image of the girls
  模特在一木制架子上或坐或俯瞰或侧卧… …不断变换着姿势，她个子高，肤色有点非洲，表情冷酷，姿势夸张，野性十足，活脱脱一个男性化的女孩形象。
• Every flower and blade of grass , every leaf and tree at cuhk is there by design , not happenstance , the result of careful nurturing by generations of colleagues and students . the beauty of the campus is treasured by all members of cuhk
  中文大学的一花一草、一树一木都不是偶然而生的，而是中大历年来同事、同学的悉心培育，大学优美的校园环境，每一位中大人都甚为珍惜。
• We shouldn t take anything that doesn t belong to us or that people don t personally give to us , even if it s only a blade of grass , because it s not worth ruining our reputation and gentleman s manners , not to mention breaking the precepts
  像师父曾说过：不要贪人家的供养一样，不是我们自己的或不是人家亲身给我们的话，一草一木皆不拿，因为不值得我们的名誉及大丈夫的风度。
• The rainbow garden remained a paradise for children at play ; the zigzag bridge still accommodated initiates in their leisurely walks . for the new initiates , hsihu had not diminished in her beauty ; even a tiny blade of grass was cherished . many of the buildings were gone , but fellow initiates had learned the ephemerality of this world
  彩虹园内依然是孩童们嬉戏的天堂，九曲桥也是同修们散步闲憩最佳的场所，对许多最近才印心的新同修而言，西湖依然很美，一草一木耐温存。
• Every tree or tower could be recycled in a new context , for it was the impressionistic realm chor yuen was interested in . it was a realm of ancient , distant times of worldly intrigues , in which the essence of chivalrous knights - errant was more important than historical accuracy . the studio then became the perfect environment to conjure up these metaphorical backdrops in which the dark drama of human deception could be played out
  一楼一阁，一树一木，尽可循环再用，因为楚原要经营的是一种写意的境界，描述渺远的古代侠客世界，只取其神髓，跨过历史，利用片厂的可塑性，变化出种种江湖风景，用以烘托波谲云诡的人心。