The reason the film industry started in these cities is because there were plenty of trained professionals ( acrobats , dancers , actors , and stagehands ) from vaudeville , the performing arts theater that was popular at the turn of the century 影片工业在这些城市发源的原因在于，它们拥有许多来自轻歌舞剧且受过训练的专业人员(特技人员、舞者、演员及舞台工作人员) ，这是世纪交替时，广为流传的一种表演艺术剧场。
Liyuanchun in hntv has slided up the curtain in 1999 that xiqu vaudeville tv column began to take part in the mainstream tv columns . liyuanchun became a model studied by a lot of xiqu vaudeville tv columns . so , it ’ s very important to know what is the soul of liyuanchun ’ s setting meaning 1999年河南电视台《梨园春》栏目改版,创立了戏迷擂台赛的节目模式,这次改版获得了巨大的成功,也使《梨园春》栏目成为众多电视台的戏曲综艺栏目学习的对象。
On all accounts , this paper expects to observe the two correctings of liyuanchun through a continuous and holistic viewpoint . ultimately , this paper wants to get what miss and what gain in the sense of setting meaning based on liyuanchun ’ s tv practice , we will get the enlightenment of xiqu vaudeville tv column ’ s further development as well 总之本文试图通过从一个连续的、整体的角度来观察《梨园春》两次改版过程中所表现出来的特征以及改版效果,希图能揭示戏曲综艺栏目发展得失背后的规律,启示未来的发展。
The competition of setting meaning is the most important competition . this paper will analyze xiqu vaudeville tv column ’ s setting meaning through the following three aspects such as histrionic construction , thematic narrative and redefined spectator by taking liyuanchun as a representative example 内容设置上的戏剧性构造是《梨园春》最核心的部分,围绕这一点,更进一步的主题性叙事的挖掘深化了节目的内涵,而且戏剧性构造对于观众的角色化和主体化的设置,几乎重新定义了观众对于节目的意义。
Set in the 1930s , this is the story of a young and beautiful actress ann darrow from the world of vaudeville who finds herself lost in depression - era new york and her luck changes when she meets an over - ambitious filmmaker carl denham who brings her on an exploratory expedition to a remote island where she finds compassion and the true meaning of humanity with an ape kong 就在最失意之际，她遇上了制片人卡尔积伯克饰演，改变了她一生的命运。卡尔是一个企业家，也是一个冒险家，他听闻在骷髅岛上有一只巨猿kong ，认为只要在当地拍摄一历险电影，把kong摄入镜头，影片就可卖个满堂红。
