But after having lived together for quite a while , we are then attracted by that person s love , nice character and way of living , not the physical appearance anymore . we would get used to watching the physical appearance every day , so we would get bored of watching it all the time no matter how good looking it was 就像我们爱某个人，我们可能一开始是受到他外表的吸引，但是一起生活一阵子之后，我们就会更为对方的情义人品和生活方式所吸引，而不再是他的相貌，因为我们已经习惯了每天看到他，不管外表多么好看，如果一直看的话也是会厌倦的。
Kurosawa loves to use long shots in group conversation scenes . he intends to capture the different reactions of all the actors on the screen at the same time . this kind of long shot greatly enhances the interaction among the actors since they are actually looking at the reactions of the other actors when they are presenting the dialogues ; on the other hand , it also allows the viewers to have a more comprehensive view of the scene , since they can choose whose face or reaction to focus on 杜其峰继年初的再见阿郎及暗战后，再来一主题乐观的电影，全片没有一个主角被杀，亦没有女主角唯一女角色施绮莲只是出场不够五分钟的配角，重点只在型男间的友谊，另外有大玩杀手情怀，黑道人物和保镖等都被写得十分感性和重情义，和以往电影黑人物的冷面无情十分不同，对于男观众相信会看得过瘾。
Unlike the other ladyboys hoping to find men to protect them , suay just buried the friendship from cheuk in her heart . occasionally some visitors known cheuk before came in the pub , suay was hardly known that cheuk was mistakenly killed his team member in a duty , he was blamed and left the job , he ever talked with his police father for several years just because of this event . . . . as usual daily life , cheuk and suay were preparing opening of a new pub , cheuk told suay he wanted to terminate the job 卓于酒吧内，除保护美丽外，更保护酒吧内的生意及客人，这可算是他对美丽的一份不收分毫的情义，因此酒吧的生意比其他的好，美丽亦心里有数，她变人妖只希望成真女人，却明白男人未必理解，从不像一众人妖般媚俗，希望找到男人呵护，对于卓这份情义亦收于心里，偶尔一些认识卓的客人入内，美丽左拼右贴下始知卓因一次行动失误下令队友殉职，以此为疚，自动离职，更因此事与同是从事员警的老父，从不讲话多年
