He points out that kant ' s aesthetic interest , schiller ' s aesthetic kingdom , hamann ' s aesthetic perception and jauss ' aesthetic experience take pure aesthetic consciousness for the standpoint of art theory and negate the truth of art in comprehension , which reveal the aesthetics limitations in regard to art truth 伽达默尔指出：康德的审美趣味、席勒的审美王国、哈曼的审美感知、尧斯的审美经验将纯粹的审美意识作为艺术理论的立足点，否弃艺术的作为理解的认识的真理功能，显示了美学对于艺术理论的局限性。
People should hold the idea that " arts education " , besides the essential teaching on " skills " and basic knowledge , involves many other aspects , like the education on aesthetic consciousness , moral sentiment , personality , creativity , art criticism and appreciation , to name but a few . so the teaching purpose has been promoted to the individual ' s self - fullfillment , which sets an even higher demand on education 认识到除了一般意义上的“技能”和美术知识外，美术教育还包含审美知觉，道德情操、人格品质、创造能力、批评和鉴赏等多个方面，这就对高师美术教育提出了更高的要求，迫切需要提高学生全面的文化艺术修养。
The simple , pure , calm and deep character cultivated by the growing experience full of trials and the influence of the concepts and characteristics of the agricultural civilization constitutes my most fundamental psychological tendency and aesthetic consciousness and deeply influences my painting style so much so that in many years ' creation practice , i subconsciously seek the materials and media to express this kind of feelings and try my best to create this kind of atmosphere in my works 饱尝磨难的成长经历连同长期以来农业文明时代观念特征的影响束缚，所培养的单纯、朴实、平静、和深沉的性格，构成了我最基本的心理倾向和审美意识，深深地影响着我的绘画风格，以至于在多年艺术创作实践中，潜意识地会去寻找表达这类情感的素材和媒介，并努力地在作品里营造这种氛围。
From philosophy level of existentialism , wang anyi describes the consciousness of women ' s choice of their own fate ; in terms of body ethics , fang - fang reflects women ' s fighting consciousness ; chi zijian promotes the spiritual life of the under stratum people and embodies the aesthetic consciousness of the under stratum women in terms of aesthetic ethics 王安忆从存在主义的哲学层次，表现乡村女性对自我命运选择的自觉；方方从身体伦理学的角度，反映出乡村女性反抗的自觉；而迟子建则从审美伦理学的角度，提升底层人民的精神生活，表现出底层妇女审美的自觉。
On one hand , novels about human relationship outpouring new aesthetic consciousness of common customs which are different from historical - biography literature on the whole structure , the tongue and selecting characters of novels son the other hand , they are related each other , and novels about human relationship inherit the traditional aesthetic consciousness of historical - biography literature on creation motive and principle , and the romantic 一方面，世情小说在小说人物的选取、整体结构及小说的语言上，明显流露出不同于史传文学的新的平民化、世俗化的审美意识；但另一方面，在这种新变中，世情小说又表现出与史传文学千丝万缕的联系，在创作动机、创作原则、传奇性等诸多方面承袭了源自史传文学的传统的审美意识。
