In a dream , the silent buoys navigate the way to glamorous cages of skyscrapers . the inverted image of the magnificent college on the opposite side is reflected in waters . the lights on fishing boats flicker as the dimly lit villages are awaken by the lonesome cries of the phoenixes in expectation of the dawn 梦里木讷的浮标指向豪华的金丝雀笼对岸的学堂宏殿凌空翻身渔火明明灭灭黝黑的村落叫亮凤凰等待日出的孤鸣每天清晨，不正常的日常生活在压迫著每个升斗市民。
Rostov felt both dread and joy in riding alone with three hussars into that mysterious and dangerous , misty distance , where no one had been before him . bagration shouted to him from the hill not to go beyond the stream , but rostov made as though he had not heard his words , and rode on without stopping , further and further , continually mistaking bushes for trees and ravines for men , and continually discovering his mistakes 巴格拉季翁从山上大声对他说，叫他不要向小河对岸的远方走去，可是罗斯托夫装作好像他没有听见他说的话似的，他不停地前进，越走越远了，不断地上当，把灌木林当作树林，又把土坎当作人，不断地领悟到自己受骗。
His feet were bare . pierre looked over the meadow , across which waggons and men on horseback were moving that morning , then far away beyond the river , then at the dog , who was pretending to be meaning to bite him in earnest , then at his bare feet , which he shifted with pleasure from one position to another , moving the dirty , thick , big toes 皮埃尔忽而看着从那天早上就行驶着大量车辆和骑马的人所经过的田野，忽而又看着河对岸的远方，忽而又看着那只装出真心要咬他的小狗，忽而又看着自己的一双光腿板，然后他饶有兴味地把这一双光脚摆成各种不同的姿势，翘动着粗大脏污的脚趾头。
Based on the different direction of view and water and relation of water and land , the author divided lake landscapes into vertical single - water landscape , parallel poly - water landscape , vertical poly - water landscape , parallel single - water landscape and bird ' s - eye view landscape . addition to , the author discussed the effect of distance between a given vantage point and opposite shore to plant landscape ' s visual character , then give the key point of plant designing in different lake landscape mode and researched the effect to visual landscape caused by all kinds of plant design method from the plant on land and water 确定了由于视线与水体的方向以及水陆关系的不同而形成的单水体垂直景观、多水体垂直景观、单水体平行景观、多水体平行景观和鸟瞰景观等5种景观模式，并在此基础上进一步论述了视点与水体对岸的景观间距对于植物景观观视特点的影响，提出了不同湖泊景观模式中植物配置的重点。
