Although the ideal of love is highly praised in both tang xianzu ' s the peony pavilion and hong sheng ' s the longevity palace , differences exist in the aspects of ideal of love , expression of love , pursuit of love and fulfillment of love due to different times and different styles of playwrights 摘要汤显祖的《牡丹亭》和洪升的《长生殿》都歌颂了“情至”理想，然而由于时代和作家个人等方面因素，二者在“情至” 、 “情始” 、 “情追” 、 “情圆”等具体表现方面有着诸多不同。
This paper systematically deals with the formation and changes of the theme of " depth emotion " in the peony pavilion , traces the theme to its historical origin , and reveals its ethical values and philosophical meanings that were not presented in other similar plays , thus providing a new theoretical perspective for the reading of it 摘要本文从历史文化的维度系统梳理《牡丹亭》中“至情”主题的形成过程与演变轨迹，力图阐明“至情”主题的渊源有自和历史悠久，并揭示《牡丹亭》中这一主题超越风吹草动类作品的精神价值与哲学意蕴，从而为人们解读《牡丹亭》提供一个理论的新视角。
The public performance in this end of year specially arranges outstanding students of promotion class to perform five classical selected plays which appeal to every levels : " lan - ke - shan ? later force " , " iron crown drawing ? killing tiger " , " jiaoxiao story ? writing an indictment " , " peony pavilion ? visiting a garden " , " peony pavilion ? startling dream " to display their achievements of study for many years , and lead viewers to see the deep of kun opera art 本次岁末公演，特安排推广班优秀学员担纲演出雅俗共赏的五?经典折子戏《烂柯山?后逼》 《铁冠图?刺虎》 《鲛绡记?写状》 《牡丹亭?游园》 《牡丹亭?惊梦》 ，展现多年习艺的成果，同时引领观众一窥昆剧艺术的堂奥。
