5世纪

• The greatest names in european philosophy are [ b ] [ color = # 990000 ] socrates , plato and aristotle [ / color ] [ / b ] , who were active in athens [ b ] [ color = # 990000 ] in the 5th and 4th centruy b . c [ / color ] [ / b ]
  苏格拉底、柏拉图和亚里士多德是于公元前5世纪至公元前4世纪活跃于雅典的三大欧洲哲学巨匠。
• It came from the story in the 5th century b . c . how a herald named phidippides ran the 26 miles from marathon to athens to announce the greek victory and died on the spot
  它起源于公元前5世纪雅典长跑运动员费迪皮迪兹的故事，他以传令官的身份从马拉松到雅典跑了26英里宣告希腊在战争中的胜利，最后却牺牲生命。
• It came from the story in the 5th century b . c . that a herald named phidippides ran the 26 miles from marathon to athens to announce the greek victory and died on the spot
  它起源于公元前5世纪雅典长跑运动员费迪皮迪兹的故事，他以传令官的身份从马拉松到雅典跑了26英里宣告希腊在战争中的胜利，最后却牺牲了生命。
• But the divergence was certainly under way by the 5th century , and by the 8th century we can detect unmistakable differences in the basic vocabulary and grammar of the various romance dialects
  不过，可以肯定地说，到5世纪差异就出现了，而到了8世纪，我们就能准确地辨别各种罗曼语方言的语法和词汇之间的差别了。
• In the 5th century a . d . three west germanic tribes , the angles , saxons , and jutes , crossed the north sea into britain , bringing with them a language that would that would later be known as english
  在公元5世纪，三个西部日耳曼部落- -盎格鲁人、撒克逊人、朱特人跨过北海进入不列颠，带着他们的语言，后来成为众所周知的英语。
• Set in its windows , like pearls in an oyster , are an elegant attic red figure krater attributed to a 5th - century bc painter , an etruscan pouring vessel and an array of vases
  许多骨董像是蚌壳里的珍珠般被放在橱窗里，有一尊造型优美的红色雅典酒器，推测是出自西元前5世纪一位画家之手，有一个伊特鲁里亚人水瓶和一整排的花瓶。
• In ancient china , we associate the fifth through third centuries b . c . as the period of the warring states - a time in which warfare was dominated by conflict between similarly organized states
  在古时候的中国，也就是我们公元前5世纪到公元前3世纪这一段时间被称为战国时期? ?这是一个由组织结构相似的几个政权之间爆发的以冲突为主要形式的战争时期。
• Located along the northern silk route between central asia and metropolitan china proper , and serving as a meeting ground of " western regions " ( xiyu ) and indigenous cultural influences , dunhuang provides a continuous record of datable monuments , from the fifth century onward , showing the importation of the indian chiaroscuro style , known in chinese as aotu hua , " concave - and - convex painting , " and its eventual transformation into the indigenous chinese pictorial idiom
  摘要作为丝绸之路上一个西域和本土文化的汇合地点，敦煌艺术提供了5世纪以来西域“明暗法”风格即文献上所谓“凹凸画”以及这种画法最后变成中国本土绘画笔墨风格的一个可确定时代的连续记录。