One problem of this kind of melodrama is that the story is easily fallen into cliche ji - hye does actually say so when she begins reading her mother s diary , and this is what the latter part of the movie suffers from 不过尾段突然讲joon - ha参军一节，则和前段的气氛大异，虽不能说是离题，但感觉上和前边一再铺陈的小桥流水式乡土风情格格不入。
Employing a blatant and waggish style of acting , jung brings life to his character , convincing the viewers that chul - min is a mentally retarded yet benevolent kid . kim kap - soo as chul - min s father and uhm ji - won as his girlfriend are also well portrayed 饰演其父的金甲洙曾演姊魅情深，戏份不多但也称职讨好，尤其尾段和儿子一场深情对话，令人感动。
Employing a blatant and waggish style of acting , jung brings life to his character , convincing the viewers that chul - min is a mentally retarded yet benevolent kid . kim kap - soo as chul - min s father and uhm ji - won as his girlfriend are also well portrayed 饰演其父的金甲洙曾演《姊魅情深》 ，戏份不多但也称职讨好，尤其尾段和儿子一场深情对话，令人感动。
Inherits all of these traits , which results in a very engaging viewing experience . there are quite a number of characters in this film , however , only one person , that is , the protagonist kim deuk - gu , is the focus of the filmmaker 尾段拳赛一场非常伤感，但拍得毫不造作，相反自然流露的情感令人感动不已，就是因为编导成功把角色立体真实化，让观众代入戏中人的世界。
The sophisticated settings and elegant costume design are also notable . it is very different from what you get from a typical hong kong love film in which the focus is always the talking heads while settings and costumes are not stressed at all 尾段的古堡救美高潮戏更是和此片风格十分不符，感觉完全像是在看另外一电影，不明为什么鬼差会是法国古代武士，离奇古怪非常。
Inherits all of these traits , which results in a very engaging viewing experience . there are quite a number of characters in this film , however , only one person , that is , the protagonist kim deuk - gu , is the focus of the filmmaker 尾段拳赛一场非常伤感，但拍得毫不造作，相反自然流露的情感令人感动不已，就是因为编导成功把角色立体真实化，让观众代入戏中人的世界。
Not only is the rhymthm getting slower and slower , the suspense is also gone as the focus of the story has turned from a more realistic world to a totally comical diegesis where a logical plot is no longer the concern of the filmmaker 可是到了中段后，剧情便渐渐失控。很多情节不但不能自圆其说，后来更是愈拖愈慢，尾段的打斗尤其缓慢沉闷，完全为打而打，前段建立的剧力变得荡然无存。
Not only is the rhymthm getting slower and slower , the suspense is also gone as the focus of the story has turned from a more realistic world to a totally comical diegesis where a logical plot is no longer the concern of the filmmaker 可是到了中段后，剧情便渐渐失控。很多情节不但不能自圆其说，后来更是愈拖愈慢，尾段的打斗尤其缓慢沉闷，完全为打而打，前段建立的剧力变得荡然无存。
At present , a datum plane - conversion scheme is introduced in the sight system of active ground - to - ground missile . in this scheme the datum plane of sight system is transferred from inertia combination to missile terminal , and the angle of two datum planes is measured at the technical position 目前,常规导弹在瞄准中采用了基面转换方案,将导弹瞄准基面由惯性组合转换到弹体尾段,两基面夹角在技术阵地测量。
The mood of the film changes drastically and it seems like motohiro is playing around with our emotion and directing our feeling at will . motohiro is also good at shooting crowds . there are quite a number of characters in this film , their appearance are alloted wisely 犹其尾段由喜至悲的剧情更完全玩弄观众的情绪于股掌之中，此段亦拍得令人感动，特别是最尾深津绘里看大电视一幕更有神来之笔的精彩，不能不配服导演对电影和观众感情的控制力。
