Unlike his rival ma si - tsang , sit kok - sin left too few films for study . from ma s classic the judge goes to pieces 薛觉先留下来的电影很少，难于讨论，马师曾倒在菲林上留下了不少可供赏析的痕迹。
In addition , ma shizeng founded the western music section and introduced cello , saxophone , violin and other musical instruments to cantonese opera 另马师曾设立西乐部，引入大提琴、色士风、梵铃等西洋乐器。
Once i called her [ female sun ma ] ( the most famous cantonese opera singer of hk . ) , because there are so many similarities between them 我曾经戏称她为女新马。因为祥叔新马师曾和梅艳芳，有极多相似的地方。
The division between opera and screen stars alluded to earlier on was not at all lasting . in 1953 , ma si - tsang and hung sin nui , both opera stars , joined the ranks of the union . in 1956 , when the cantonese cinema world joined forces to make 前文曾提及的伶星分家，其实没维持得多久提出后的翌年即1953年，马师曾和红线女便加入了中联的阵营， 1955年电影界人士为伊秋水遗孤拍后窗，新联亦积极邀请伶星合作，争取粤语片观众。
The cantonese comedies rely heavily on a host of brilliant comedians : leung sing - po liang xingbo , sun ma si - tsang xin ma shizeng , yee chau - shui yin qiushui , tang kei - chen deng jichen , tam lan - hing tan lanqing , tang bik - wan deng biyun , etc . interestingly , many of these actors came from a cantonese opera background but are now remembered as the mainstays of cantonese screen comedy . this betrays the close relationship between opera and cinema , a unique association that is found only in cantonese cinema 粤语喜剧片多赖一班出色的谐星，如梁醒波新马师曾伊秋水邓寄尘谭兰卿邓碧云等，有趣的是，这批谐星多来自粤剧舞台，却成为了粤语影坛的中坚份子伶与星的关系极其密切，这一点是粤语影业独有的现象。
