The paper advances the origin of the ornamental elements of architecture , applying the theories of morphology , architecture symbology , aesthetics , psycology and so on . it has discussed the form and style evolution on the ornamental elements of architecture along the chinese and western history 文章从建筑装饰性构件的起源入手，结合形态构成学、建筑符号学、美学、审美心理学等理论，沿中国和西方建筑历史发展的主线，从纵向探讨了科学文化不同发展阶段建筑装饰性构件的形式和风格演变。
After comparing the differentcomprehension to form in eastern and western culture spirit and analyzing severalarchitectural form exploring today , the thesis points out that the practice of attentionto form in western architecture can be learned exactly through knowing the substance ofform and finding out the fact that architects are seeking the truth from the formexperiment 通过比较中西文化精神对形式的不同理解，并在分析当代几种主要形式探索倾向的基础上，指出了只有正确认识形式的实质，并看到形式背后是建筑师对真的追求的事实，才能正确理解当代西方建筑思潮中以形式为主线的实践。
The thesis deals with catholic churches in chongqing area built from mid - 19th century on , including its historical and social background , development process , locations , building styles , and art achievement , especially its creative treatments , in western - chinese style combination . systematical field investigation and analysis reveal that catholic church as built in chongqing area in 19and early 20 centuries , as a part of western architectural culture , developed and changed to yield a variety of architectural form and to become a valuable part of chongqing cultural legacy 本文对重庆(巴渝)地区的近代天主教堂建筑的社会历史背景、发展状况、地域分布、建筑造型风格特点和艺术成就作了较系统的调查研究和分析，由此展示出重庆近代天主教堂作为西方建筑文化的一部分在这一地区的发展和演变，结果产生出丰富多样的建筑形态，成为重庆近代建筑文化遗产中具有相当价值的组成部分。
This paper concisely and systematically introduces the concept of semiotics and architectural semiotic theory . meantime , it extends the theory with the trend of contemporary architecture and semiotics aesthetics . moreover , the dissertation introduces the theory on how to make up new architectural symbols ( archetypics , gestalt , typology ) and almost forms a complete semiotic system 论文简明、系统地介绍了符号学的一些概念和建筑符号理论体系，结合当代西方建筑发展趋势和符号美学的观点对现代符号理论体系进行扩充，并介绍了建筑符号构建的基础理论（原型学、完形学和类型学） ，以形成较为完整的建筑符号理论体系。
This article thinks the spirit of the contemporary western architectural trends deeply , and develops the comprehension to the contemporary western architecture from philosophy , aesthetics culture and technology through studying the works of the pritzker architecture prize laureates 笔者以普利茨克建筑奖为切入点，通过解读获普利茨克奖建筑师的代表作品，深层次地思考当代西方建筑思潮的精神内涵，从哲学、美学、文化、技术等几个角度来拓展我们对当代西方建筑的理解和认识。
The paper falls into six parts . the first chapter is the survery of the paper . the second chapter probe the origin of the eco - architecture , clarify the ancient habitation is the exhibition of the archetype of all kinds of architecture and reflect human ' s aboriginal life style . so , the ancient habitation is the oldest eco - architecture . the third chapter states that in the history of westen modern architecture , the ecological architectures in the early stage were associated with the climate conscious designs . with the reaearch on the ecological architecture which influenced by the green - movement after 1960 ' s , the forth chapter analyze it ' s background and course . the fifth chapter discuss the two types of westen eco - architecture after 1970 ' s : low - tech eco - architecture and high - tech eco - architecture , analyze the works of representative architects and point to the trend of the high - tech of the development of the westen eco - architecture 第二章探寻了生态建筑的缘起，阐明了古老的民居反映了人类最原始的生活方式，是所有建筑的原型的实体表现，同时也是人类最古老的生态建筑。第三章从发掘现代西方建筑历史上曾经出现过的部分注重生态的建筑设计萌芽入手，指出早期的与注重生态的建筑设计相关的研究表现为适应环境与气候的建筑设计。第四章针对60年代以后受绿色运动影响的注重生态的相关理论和实践进行了剖析，分析其产生的背景和发展演变过程。
Sleep for three hours and get up to fit up the design drawing , rack one ' s brains and just think out three schemes , is it have to feel at all , is it see just from zong baihua " aesthetics took a walk " that xueyuan bookstore buy at once to pursue to draw , about the space consciousness of chinese painting and content of the western building 睡了三个钟头起来做装修设计图，绞尽脑汁才想出三个方案，半点感觉都没有，画完图赶紧看刚从学苑买的宗白华《美学散步》 ，关于中国画空间意识和西方建筑的内容。
The first influence from the west is in a form of france style , which was called western - style house . showing the colonial form this influence took ; as a rear city in the war of resistance against japan , kunming got a big chance as never before , and building activities was on the upsurge . in the war , modernism trend came in kunming just in step with europe , and this made kunming ' s architectures of this period advanced in china ; since liberation , the development of kunming ' s architectures kept step with inland cities on the whole 最初的影响表现为以法国式建筑为特征的“洋化”建筑，是西方建筑以殖民地建筑的形式进入昆明的历史见证；抗日战争给作为后方城市的昆明带来了空前的建设高潮，现代主义建筑思潮也在这一特定环境下从西方同步传入，使此期的昆明建筑在全国占有领先地位；解放以后昆明的建筑基本上与内地城市同步发展。
This article illuminates from two aspects that the western architectural theory itself has the abundant historical connotation , makes the brief summarization of the voluminous architectural history , puts forward the original opinion relating with the question of the architecture development in china , and puts emphasis on the importance and the urgency of improving architectural theoretical culture of the whole society 摘要该文从两个方面说明了西方建筑理论本身具有的丰富历史内涵，对浩如烟海的建筑理论史作了简要的归纳，并由此联想到中国建筑发展道路的问题，融入了自己的独到见解，强调提高全社会建筑理论修养的重要性和迫切性。
By the analysis of foreign architectures and contemporary chinese architectural works , the paper concludes the semiotic thinking to 21th century not only should inherit traditional good culture and symbols , but also dares to create new symbols and design popular and favorite architectures 论文通过对西方建筑作品的分析和对中国当代建筑创作的反思，提出面向未来的符号思维应该是：既要继承传统建筑及文化的优秀品质及符号，又要敢于创新，运用符号理论构建新的符号，来创作反映时代特色、并为人民群众所喜爱的建筑作品。
