That is a recurring motif , and i have that music entered at the beginning , returned in the middle , and returned at the end just sort of to round it out 所以我就依照这三个字的旋律作曲，因此形成了一个循环的主旋律，分别出现在前段中段以及尾段。
For instance , when lin min s colleague mr . yau asks for jin - jin s address , why doesn t lin min makes up an excuse or simply gives him a his friend s address 之后，邱老师说要家访，林民大可不必给他正确地址，自讨苦吃。尾段的大团圆，更是一啖笑。
The modification not only changes the film from an antiauthoritarian fable into a hallucination account , it also justifies the authority it was intended to subvert 此片故事亦是一绝，当尾段大家知道真相后不禁对于电影的布局拍案叫绝，戏剧感绝对一流。
To me , i certainly think it would be great if the director could make the story a little more explanatory , but i also love to think and reconstruct the film on my own 韩石圭演侦探沉著中不乏感情，犹把尾段揭破真相后一副无奈表情演活，配上red right hand的配乐，感觉超正！
As a composer , when one is given a piece of poetry to set , then that is a different kind of a process than when one simply writes a piece of instrumental music 彼得为诗词谱曲和一般的乐器作曲有所不同，乐器作曲你可以全权决定乐曲的长短以及乐曲的形式-前段中段或尾段等等。
The tone or the pitch of a kid is very different from that of an adult , no matter how hard one tries to imitate , it is almost impossible to recreate that natural innocence of kids voice 变成黄色画面的回朔片段，视觉表现上大打折扣，尾段的真人场面更是和全片风格不协调，大大破坏电影的气氛和统一性，是一败笔。
Shortly before 6 . 30 pm , a heavy goods vehicle ( hgv ) was travelling along castle peak road ( tam mei section ) towards sheung shui while a private car was travelling along castle peak road towards yuen long 下午约六时三十分，一辆重型货车沿青山公路（潭尾段）往上水方向行驶，而一辆私家车则沿相反方向行驶。
When the film proceeds , the protagonist will successfully turn them back into good students . every film just follows this cliche over and over again . unluckily , the plot of this film is basically akin to this tradition 不过此片比辣片好看，因为辣太过著重道德包袱，故事太传统沉闷，尾段又来拿手歌舞，例牌兼无聊。
They also have their own conflicts and vulnerable moments . it is this realistic delineation of characters that makes the story captivating . other than shawn yu and patrick tam , everything in this movie is just out of place 尾段的枪战戏虽然节奏并不快，但气氛不俗，有电脑游戏counter - strike的感觉，熟知该款游戏的朋友应会看得过瘾。
They also have their own conflicts and vulnerable moments . it is this realistic delineation of characters that makes the story captivating . other than shawn yu and patrick tam , everything in this movie is just out of place 尾段的枪战戏虽然节奏并不快，但气氛不俗，有电脑游戏《 counter - strike 》的感觉，熟知该款游戏的朋友应会看得过瘾。
