iveys造句

• During the late 1960s Warman frequented many live music performances including Jimi Hendrix thrice and other groups including The Move, The Iveys and Pink Floyd whilst using the Melody Maker as his bible.
• When Apple decided to include older songs on the " first " Badfinger release, the pseudo-soundtrack " Magic Christian Music ", both of The Iveys'singles were included.
• The group performed a wide range of cover tunes on the London circuit, from Motown, blues, David Garrick, while performing as The Iveys across the United Kingdom throughout the rest of the decade.
• The other tracks on the album were produced by Tony Visconti ( six songs, including both Iveys singles and the last recording made, " Crimson Ship " ) and Mal Evans ( five songs ).
• In 2008, another CD of Apple-related songs, " Treacle Toffee World : Further Adventures into the Pop Psych Sounds from the Apple Era 1967 1969 ", included two more Iveys demos.
• ""'The Keyhole Street Demos 1966 67 " "'is a two-CD collection of demos recorded by Pete Ham then singer / guitarist for The Iveys in 1966-19687.
• Although this was the band's second album released under the Badfinger name, the previous album, " Magic Christian Music ", was originally recorded as " The Iveys " but released as Badfinger.
• Artists who had considerable success in the pop and rock world after their initial sessions at Apple Records include Badfinger ( originally known as the Iveys ), James Taylor, Mary Hopkin, Hot Chocolate, Yoko Ono and Billy Preston.
• Ironically, an Apple promotional EP for Walls Ice Cream that included a song by The Iveys ( " Storm in a Teacup " ) was released in the UK on the same date that " Dear Angie " was released in continental Europe and Japan.
• Several notable artists were signed in the first year including James Taylor, Mary Hopkin, Billy Preston, the Modern Jazz Quartet, the Iveys ( who later became Badfinger ), Doris Troy, and former Liverpool singer Jackie Lomax, who recorded George Harrison's " Sour Milk Sea ".
• Griffiths departed The Iveys at the end of the McCartney sessions in late 1969, prior to the name change from The Iveys to Badfinger, which led to his exclusion from the credits and pictures on the album ( although Griffiths does appear on the picture sleeve for " Come and Get It " ).
• Griffiths departed The Iveys at the end of the McCartney sessions in late 1969, prior to the name change from The Iveys to Badfinger, which led to his exclusion from the credits and pictures on the album ( although Griffiths does appear on the picture sleeve for " Come and Get It " ).
• Feldman and Goldstein had also recorded a couple of non-charting singles as the duo " Bob & Jerry " in 1961-62, and between 1959-61 had been members of various non-charting studio-based recording groups such as Bobbi and the Beaus, Ezra and the Iveys, and The Kittens.
• The latter album was the band's seventh and last with the original Ham Evans Gibbins nucleus that dated back to the late 1960s, when the group was known as the Iveys . " Head First " was not released until 2000, however, because of further lawsuits between Warner Bros . and Badfinger's management.
• Ron Griffith of the group the Iveys  soon to be known as Badfinger and, like the Black Dyke Mills Band, an early signing to the Beatles'new record label Apple Records  later recalled that on their first day in the studio, McCartney " gave us a full concert rendition of'Hey Jude'" . }}
• Apple combined the film's three Badfinger songs with four unreleased songs and seven older tracks ( released by the group when they were still known as the Iveys ) on the album " Maybe Tomorrow ", which had been quickly pulled off the market in 1969 . The previously released Iveys songs were specially re-mixed for this album, significantly improving their sound quality in the process.
• Apple combined the film's three Badfinger songs with four unreleased songs and seven older tracks ( released by the group when they were still known as the Iveys ) on the album " Maybe Tomorrow ", which had been quickly pulled off the market in 1969 . The previously released Iveys songs were specially re-mixed for this album, significantly improving their sound quality in the process.
• McCartney had been commissioned to contribute two other songs to the film's soundtrack; after " Come and Get It " was successfully recorded, he offered to produce two of The Iveys'original compositions to fulfill those commissions, for which he selected " Carry On Till Tomorrow " ( commissioned as the main title theme for the film ) and " Rock of All Ages " ( commissioned as background music for a party scene ).
• There have also been versions by Eric Donaldson, Elkie Brooks, the Underdogs, Manfred Mann in 1965 on their " Mann Made " album, the Iveys ( Pete Ham, Tom Evans, Ron Griffiths & Mike Gibbins, before Griffiths quit, to be replaced by Joey Molland, at which point the band changed its name to Badfinger ), Little Richard on 1971's " The King of Rock and Roll ".